...snipped-or-not-p) On 6 set, 08:01, Pascal Costanza <p...@p-cos.net> wrote: Making music also takes effort. That used to be true before the 20th century. Wow, now I can be the Gershwin of the 20st century, without the need to learn all these crazy blots on these stupid lines with all those irritating #'s, b's [1] ? I was referring to the music itself, not to it's recorded notation. Surely going for more than 4...

... Bishop / Nancy Lane / Kay Cole - A Chorus Line - Marvin Hamlisch / Edward Kleban http://www.broadwaymusicalhome.com/shows/chorus.htm ~ The Saga of Jenny - Dawn Upshaw - Lady In The Dark - Kurt Weill / Ira Gershwin http://en.wikipedia.org/wiki/Lady_in_the_Dark ~ Meadowlark - Liz Callaway - The Baker's Wife - Stephen Schwartz http://www.musicalschwartz.com/the-bakers-wife.htm ~ I Really Like Him - Irving Jacobson - Man of La Mancha ...

...: (selectively-snipped-or-not-p) On 6 set, 08:01, Pascal Costanza <p...@p-cos.net> wrote: Making music also takes effort. That used to be true before the 20th century. Wow, now I can be the Gershwin of the 20st century, without the need to learn all these crazy blots on these stupid lines with all those irritating #'s, b's [1] ? The learning of the basics of the musical alphabet must have been a monumental waste of time, ...

...é par le sympathique comédien André Robitaille le samedi 6 septembre à 19h30 devant la mairie de Montréal-Nord. Monsieur Lefèvre interprétera une œuvre très appréciée du public : la Rapsodie in Blue de Gershwin. Les autres œuvres au programme seront le premier mouvement de la Cinquième Symphonie de Beethoven (une des œuvres les plus connues et les plus aimées du répertoire), trois mouvements de la magnifique Suite 1919 L’Oiseau de ...

...". http://en.wikipedia.org/wiki/George_M._Cohan While there's no denying his influence, 'The Great White Way' is primarily a Jewish phenomenon. Most of your great musicals were penned by sweets. From Berlin to Gershwin, from Kander & Ebb to Lerner & Loewe, from Bernstein to Hammerstein, from Rodgers & Hart to Sondheim, from Sammy Cahn to Jerome Kern, the list goes on and on. -D, NYC "There are now only four ...

... Broadway". http://en.wikipedia.org/wiki/George_M._Cohan While there's no denying his influence, 'The Great White Way' is primarily a Jewish phenomenon. Most of your great musicals were penned by sweets. From Berlin to Gershwin, from Kander & Ebb to Lerner & Loewe, from Bernstein to Hammerstein, from Rodgers & Hart to Sondheim, from Sammy Cahn to Jerome Kern, the list goes on and on. -D, NYC "There are now only four theatres ...

... who owned Broadway". http://en.wikipedia.org/wiki/George_M._Cohan While there's no denying his influence, 'The Great White Way' is primarily a Jewish phenomenon. Most of your great musicals were penned by sweets. From Berlin to Gershwin, from Kander & Ebb to Lerner & Loewe, from Bernstein to Hammerstein, from Rodgers & Hart to Sondheim, from Sammy Cahn to Jerome Kern, the list goes on and on. -D, NYC "There are now only four theatres ...

..., avete letto cosa ha scritto Sinfonia Sconcertante? Il fischio come strumento solista nella musica colta. Mi è venuta in mente questa cosa, non so cosa ci sia al riguardo, non ne so nulla. Pertanto chiedo lumi. Giovanni Sousa: Humoresque, divertentissima parodia di Gershwin, grandissimo Sousa, che la gente declassa a semplice compositore di marcette americane... meglio così, solo per chi ne capisce qualcosa... D.

... si esegua solo il cosiddetto "chorus" Ti ringrazio infinitamente (ritornello) e non il "verse", la strofa. È vero che tante volte il verse è musicalmente piuttosto insignificante, ma questo non è il caso di Gershwin, Kern o Porter. Gli altri verse però li cantano. Inizia con The way you wear yor hat... ecc. Mentre ha trascurato Quindi secondo te perchè non avrebbero cantato il primo verse, tra virgolette? <<There are ...

... per il quale il testo iniziale della canzone They Can't Take That Away From Me, non venga mai cantato, dai diversi interpreti? Non solo di quello: è tradizione, soprattutto degli interpreti jazzistici, che delle song si esegua solo il cosiddetto "chorus" (ritornello) e non il "verse", la strofa. È vero che tante volte il verse è musicalmente piuttosto insignificante, ma questo non è il caso di Gershwin, Kern o Porter.