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According to Oliver Sachs' latest tome on neurological disorders
("Musicophilia") humans can distinguish between 17ths of a tone.

How does this square with everyone's experience?

What are the limits of your hearing?

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Analyzing music to determine its harmonic structure in chord symbols
is not easy. Often,
some notes of the chord are missing or hidden in the melody line.
Don’t expect all the notes of the chord to be staring at you in the
left hand, neatly arranged, as they are certainly not in most music.

Neil Miller, author of The Piano Lessons Book
and Piano Classics Analyzed – applying theory for confident memorized
performances
Enter in Amazon.com search: Neil Miller Piano Lessons Book

Sargam 2008: Pandit Hariprasad Chaurasia In Concert

Association for India's Development (AID), Seattle is proud to host
Pandit Hariprasad Chaurasia - the legendary icon of Indian classical
music and flute maestro, as a part of AID Sargam 2008 on September 13,
2008 at the Seattle Town Hall.

Pandit Hariprasad Chaurasia won world acclaim and several awards for
his musical accomplishments including Padma Vibhushan, India's second
highest civilian honor. All net proceeds from the concert will go
directly to help AID-Seattle's development projects in India.

Visit: http://aid-sargam.com
. Who: Pandit Hariprasad Chaurasia
. Venue: <http://www.townhallseattle.org/> Town Hall, Seattle
. Date: September 13, 2008, 7PM
. Contact: 206-569-5180 -or- seattle@aidindia.org

Visit http://aid-sargam.com <http://aid-sargam.com/> to reserve the
best seats!

Tickets available for: $25, $35, $50
Buy today and pick the seats of your choice!

What is natural?

There are scientific laws of physiology and physic which are extremely
important for music perception and creation.
At first there is the Weber’s law accordingly which ( in wording of
Encyclopedia Britannica...

I have been analyzing some preludes from WTC. My method has been to
contract all harmonic tones, or almost all, to the beat. What I mean
is that all notes that occur off beat are moved to the start of the
beat and then extended the length of the beat.

In several cases there is an ambiguity but Bach seems to use certain
melodic figures that have a very definite harmonic meaning. I tend to
spot these and use them to help determine the harmony. In some cases
it is ambiguous such as a scalar pattern where any one of the notes
could be inharmonic.

What I have noticed is that, at least at the start of the preludes and
on the repeats that the harmony seems be straight forward although
many times there is an exceptional use of chromaticism which can be
quite confusing at times.

The question is, does Bach "compose out" harmonic progressions or does
he take linear ideas and compose the harmony around them? Of course he
probably doesn't do either but what did he start with? Obviously it's
most likely a combination but I want to know what "fundamentally" is
going on.

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How does one go about naming scales with respect to quality?

Take any scale and try to recast it in terms of some quality(major,
minor, dominant, etc...)

Take C chromatic:

C C# D D# E F F# G G # A A# B

if we write it as

C Db D D# E F Gb G G# A Bb B

then it expresses a dominant quality.

In major we might have

C Db D D# E F F# G Ab A Bb B

But is there any definite methodology?

The real issues seem to show up in minor/dim qualities.

C Db D Eb E F F# G Ab A Bb B

or

C Db D Eb Fb F F# G Ab A Bb B

or

C Db D Eb Fb F Gb G Ab Bbb Bb B

etc...

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