Re: The Greatest song from the punk era
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Re: The Greatest song from the punk era         

Group: rec.music.progressive · Group Profile
Author: Tracy_Barber
Date: May 24, 2008 16:32

On Sat, 24 May 2008 03:27:59 GMT, "RichL" yahoo.com> wrote:
>Tracy_Barber@frontiernet.net wrote:
>
>> Yes, but the Mad Max milieu has become quite stale, much like some
>> people may agree about prog rock. It's all a rehashing about what
>> went on before. How many tributes can you play, without getting
>> stale.
>>
>> Now, if you mention 'tude, then the late '70s had the 'tude. Green
>> Day are a knock off compared to the Sex Pistols and what they stood
>> for (?), if anything. Now, if we're talking about gay punk, that
>> might be a different matter entirely, but that wasn't mentioned.
>>
>> I was and probably never will get into the punk scene, because I, like
>> Adrian Belew, like dinosaurs. It was "my time". Those who grew up in
>> the '70s punk period may see it differently. Those who are 21st
>> century punks are 30 years too late to be part of the regalia. Some
>> weren't even born yet.
>
>I'm guessing there's a lot you've missed.
>Being the father of four teenaged kids (now in their '20s), I have the
>advantage of being exposed to the rebirth of punk first-hand (well,
>literally second-hand, I guess). You might want to take a look at this:
>
>http://en.wikipedia.org/wiki/Punk_rock
>
>And living in the DC area, I was particularly tuned into the following:
>
>"In its original, mid-1980s incarnation, emo [punk] was a less musically
>restrictive style of punk developed by participants in the Washington,
>D.C. area hardcore scene. It was originally referred to as "emocore", an
>abbreviation of "emotive hardcore". Notable early emo bands included
>Rites of Spring, Embrace, and One Last Wish. The term derived from the
>tendency of some of these bands' members to become strongly emotional
>during performances. Fugazi, formed out of the dissolution of Embrace,
>inspired a second, much broader based wave of emo bands beginning in the
>mid-1990s. Groups like San Diego's Antioch Arrow generated new, more
>intense subgenres like screamo, while others developed a more melodic
>style closer to indie rock. Bands such as Seattle's Sunny Day Real
>Estate and Mesa, Arizona's Jimmy Eat World broke out of the underground,
>attracting national attention. By the turn of the century, emo had
>arguably surpassed hardcore, its parent genre, as the roots-level
>standard for U.S. punk, though some music fans claim that typical
>latter-day emo bands like Panic! At The Disco and Fall Out Boy don't
>even qualify as punk at all."
>
>It's not '70s punk at all, trust me. My oldest son now records and
>produces bands, and the vast majority are emo-punk bands. Do I like it?
>For the most part no, although there are some good bands here and there
>in the genre. But it's an indication that punk as a whole has
>progressed considerably, probably more so than most other genres.

Thanks for the response... I was a '60s / '70s teen.

Yes, they may have, but where do you hear them? Underground radio
stations?

Just curious, but it doesn't seem to me the type of music I'm
interested in. Punk, in it's original form, surely must be distant
than the current regime.

I actually listened to a homegrown rap CD a week ago. It was done by
the son of a close friend. Considering it was done in the hills of NY
and not the projects or ghettos (where all rap is stereotyped) it was
actually quite good.

I'm also curious about the "emo" thing, because if I remember right,
the '70s punk bands were a little more into bodily harm than anything
else.
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