http://www.nnseek.com/e/rec.music.indian.classical/ Posts for rec.music.indian.classical Thu, 25 Dec 2008 05:50:27 PST http://www.nnseek.com/ http://www.nnseek.com/img/64.png 64 64 NNSeek http://www.nnseek.com/e/rec.music.indian.classical/canada_lesbian_couple_50046939t.html http://www.nnseek.com/e/rec.music.indian.classical/canada_lesbian_couple_50046939t.html http://canada-lesbi.blogbugs.org/

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]]> Thu, 25 Dec 2008 05:50:27 PST http://www.nnseek.com/e/rec.music.indian.classical/hot_south_actress_remya_shri_sexy_spicy_pics_pictu_50040539t.html http://www.nnseek.com/e/rec.music.indian.classical/hot_south_actress_remya_shri_sexy_spicy_pics_pictu_50040539t.html http://actress-actresses.blogspot.com/2008/10/hot-south-actress-remya-shri-sexy-spicy...

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]]> Thu, 25 Dec 2008 02:46:21 PST http://www.nnseek.com/e/rec.music.indian.classical/spam_50022363t.html http://www.nnseek.com/e/rec.music.indian.classical/spam_50022363t.html

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]]> Wed, 24 Dec 2008 18:54:12 PST http://www.nnseek.com/e/rec.music.indian.classical/prada_shoes_paypal_payment_www_king_trade_cn_50022107t.html http://www.nnseek.com/e/rec.music.indian.classical/prada_shoes_paypal_payment_www_king_trade_cn_50022107t.html
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]]> Wed, 24 Dec 2008 13:45:45 PST http://www.nnseek.com/e/rec.music.indian.classical/amir_khan_s_puriya_kalyan_49990619t.html http://www.nnseek.com/e/rec.music.indian.classical/amir_khan_s_puriya_kalyan_49990619t.html gmail.com"
gmail.com> wrote:
> On Dec 24, 3:34 am, Abhik Majumdar gmail.com> wrote:
>
> > > Try here:
>
> > >http://sangeethamshare.org/murthy/138-Amir-Khan---Long-Pieces---10/Am...
>
> > Just checked it out. Lovely recording, but seems to be mislabelled.
> > It's Pooriya, not Pooriya Kalyan.
>
> > Abhik
>
> So, here it is.http://indianmusic.org.in/ak_pk.mp3is the full
> version, but recording qualit is not very good. However, a little
> equalizer work will do.
>
> Partha

When I click on the link I get a webpage not found message.

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]]> Wed, 24 Dec 2008 09:56:53 PST http://www.nnseek.com/e/rec.music.indian.classical/memories_of_mali_the_legend_and_his_mystical_flute_49962203t.html http://www.nnseek.com/e/rec.music.indian.classical/memories_of_mali_the_legend_and_his_mystical_flute_49962203t.html


1.T.R. Mahalingam(Mali as he was popularly known) was born on

16/11/1926;died on 31/05/1986.

2. As a flautist, he was a Legend during his lifetime, and continues
to be "The

God of Celestial Flute",whose playing was the epitome of all divine
music,as

embodied by Lord Krishna himself.There never was and,it is highly
improbable

that there ever will be another flautist to equal him in sheer

brilliance,virtuosity,creativity and evocative genius,capable of
transporting

listeners to an out of the world experience, when he was in his
element.

3.My own association with The Legend dates back to my early childhood
days in 1947 in Lakshmipuram,Chennai,when our family landed as
refugees of
Partition from Karachi,where I was born in 1939.My father left my
mother and
my four siblings with my maternal grandmother's family in chennai and
went in
search of livelihood to Bombay.

4.My uncle Venkatraman was at that time a disciple of Mali along with
N.Ramani,his friend and colleague.Whereas,N.Ramani, later on became
the torch-bearer of Mali's school of innovative flute and went on to
become
Dr.Ramani, my uncle Venkatraman did not make a career of
flute.However, Mali was not only his Guru, but also his close friend
and mentor

and used to visit our home at Lakshmipuram frequently and used to
spend

hours, discussing carnatic music,sports and various other topics.Mali
was a
very interesting conversationalist, and, though not formally educated,
was
brilliant in English language and could talk authoritatively on any
subject in
addition to music.Another little known fact about Mali was that he was
a great
Carrom champion and frequently used to play carrom at our home.He was
a
master of many brilliant double strike ideas in carrom,where he used
to pocket
coins from almost impossible looking situations. He used to beat all
of us
hollow at the game, often starting the first strike and going on to
finish the
game at one go, without allowing his opponents any chance to
strike,such was

his mastery at the game!.

5.Mali's mastery at Carrom was only a reflection of his inborn
genius,capable of quickly grasping anything he chose to concentrate
on.The

apex of his genius talent was his celestial flute playing.

6.Mali never had formal training in music.His mother taught him the
rudiments of carnatic music, and he took a liking to flute playing in
his
childhood, when he heard great flute vidwans of those days,Palladam
Sanjiva

Rao and his Guru,Saraba Shastry.He started playing on his own and
became

very proficient.His parents wanted him to be trained by Palladam
Sanjiva
Rao and took him to his home.But when Sanjiva Rao asked Mali to play,
and
heard his celestial notes,he told him:
"I have nothing to teach you.You are a born genius.Go back and just
practise intensely,hear all great masters of music,and use your own
imagination, and you will become the greatest flautist of all time!"

7.Sanjiva Rao's words proved to be prophetic and soon Mali rose to be
the darling of all rasikas, who thronged his concerts to be enthralled
and
held captive by his sheer genius.

8.Being the eccentric genius that he was, he often used to play truant
at a number of concerts,chosing to ditch his numerous exasperated
fans,eagerly waiting for him to arrive at the sabha and perform,only
to be

return home with sore disappointment.When a close friend and disciple
of Mali

asked him why he ditched his fans at various concerts,Mali,in his
typical

nonchalant style replied:
"For me every music concert is an act of giving birth to my
creativity.I suffer labour pains and birth pangs on every concert
day.I set very

high personal standards to myself.On the days, when my creativity runs
dry,I

am afraid of not being able to meet the high personal standards I set
for myself,

and thus, I would rather chose to play truant at those concerts,than
perform

with mediocrity,bereft of creativity"

This showed that Mali was a true perfectionist at his craft,and was
grossly misunderstood by many of his critics,who tarred him with the
brush of
supreme arrogance and egotism,little realising that he really
worshipped

music in all it's divinity and chose not to compromise on absolutely
supreme

standards he set himself.
9. On the days when his creativity was at it's zenith,he used to play
celestial music, often plucking unheard of and impossible
notes,seemingly out

of thin air,sending his audience into rapturous delights and
transporting them
to an emotionally charged musical bliss,never heard before.
Here I must recall my nostalgic memories of a divine concert that Mali
gave at my eldest uncle,the Late Ramasubramaniam's marriage
reception,way

back in the 1950's.He played a scintillating Bhairavi and sent all of
us into
divine raptures.

Many years later, my uncle Venkataraman,complemented Mali for playing
a memorable Bhairavi at yet another concert.However,my
uncle,inadvertently
used the words:

"Mali sir, neenga en anna kalyanathil vasicha adhey Bhairaviyai,
innikkku marubadiyum ketten.Romba magizhchi"( "Mali Sir,I am delighted
to

hear the same Bhairavi that you played at my elder brother's
marriage")

Mali stared at him with a disdainful look and said,
"Adhey Bhairaviya?"("Is it the same Bhairavi?),implying that his
creativity was such that no two bhairavis he played could be the
same,being

the genius he was, and that he was capable of rendering the same raga
with

two entirely different range of creative ideas in two different
concerts.

10.It is 22 years since the eccentric genius and legend passed
away,but his immortal and trail-blazing music will continue to
transport for

ever countless music rasikas to a celestial world of divine bliss .
____________________________________________________________________________
Now it's time for us to enter the enthralling world of the great
Legend,Mali,and

soak our souls with the strains of his divine flute.Here is a
wonderful concert

held in 1956.
T.R. Mahalingam Live Concert 1956
Artist: T.R. Mahalingam
Violin: T. Rukmini
Mridangam: M. L. Veerabhadraiah
Ghatam: K. S. Manjunath.
Download links:

01_MALI_SARAGUNA_KEDARAGOWLA_RSIYENGAR.mp3

http://tinyurl.com/3uqrha

02_MALI_MARIVERE_SHANMUKAPRIYA-PSUBIYER.mp3

http://tinyurl.com/4dqpkp

03_MALI_ENTHAVEDUKO_SARASWATHIMANOHARI_THYAGARAJA.mp3

http://tinyurl.com/53h9js

04_MALI_NIDHUMAHIMA_HAMSANANDI_HMBHAGAVATHAR.mp3

http://tinyurl.com/3u9gqt

05_MALI_NADOPASANA_BEGADA_THYAGARAJA.mp3

http://tinyurl.com/5ybnho

06_MALI_EVARANI_DEVAMRUTHAVARSHANI_THYAGARAJA.mp3

http://tinyurl.com/45rnmx

07_MALI_RAGHUVAMSA_KADANAKUTHOOHALAM_PSIYER.mp3

http://tinyurl.com/4obkvn

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]]> Mon, 22 Sep 2008 17:31:54 PDT http://www.nnseek.com/e/rec.music.indian.classical/music_beyond_boundaries_indian_ocean_concert_in_dc_49961691t.html http://www.nnseek.com/e/rec.music.indian.classical/music_beyond_boundaries_indian_ocean_concert_in_dc_49961691t.html Development

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Asheem Chakravarty on Tabla, other Percussion and Vocals
Rahul Ram, Bass Guitar and Vocals
Amit Kilam, Drums and other Percussion

About AID
---------------
Association for India's Development is a non-profit, volunteer-based
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]]> Mon, 22 Sep 2008 16:35:06 PDT http://www.nnseek.com/e/rec.music.indian.classical/voleti_venkateswaralu_his_music_lives_on_49902299t.html http://www.nnseek.com/e/rec.music.indian.classical/voleti_venkateswaralu_his_music_lives_on_49902299t.html

Born on 27th August, 1928 in Rajamundry, Andhra Pradesh,Voleti
Venkateswaralu's unique and imaginative style of music, which,though
steeped in the traditional classicim of carnatic music,also
incorporated those better elements of the hindustani sytem like voice
culture,sruthi suddham,elaborate raga alapanas with slow and
methodical development from the manthara sthayee notes,leading onto
the madhyama kala vistharam enriched with flourishes of soulful
sangathis,and concluding in the breath-taking thara-sthayee sancharams
in the higher octaves,before again a magnificent descent down the
stairs of the lower two octaves,culminating finally in the thara-
sthayee notes.His raga alapanas left the listeners with the deep sense
of soul-fulfilment.

He was the prime disciple of the noted Andhra musician,Dr. Sri Pada
Pinakapani garu,who,ungrudgingly hailed him as a musical genius who
had surpassed his own talent.
In Dr.Pinakapani's own words:
"He was a disciple of mine all right, but what a genius! You can
describe him as one of the best musicians of Andhra ever. I wonder
whether we will ever get another musician like that"

G.N.S . Raghavan,another renowned music critic and
musicologist,comparing both the Guru,Dr.Pinakapani,and his illustrious
disciple,Voleti,summed it up in beautiful words:
"It is a curious fact that Voleti was more widely popular than his
teacher. Perhaps it is because Pinakapani's music is like the sun
whose intense brightness dazzles and scorches, while Voleti, like the
moon, sheds a balmy effulgence". Raghavan remarked, "Voleti was like
the 'utsava vigraha (Utsavar)' of a temple-- the deity with burnished
golden exterior, adorned with silk and jewels when taken in
procession-- while Pinakapani is like the 'moola vigraha ( moolavar)'
in the sanctum-- sculpted in black stone: dark, mysterious and
awesome".


Voleti's unique and highly imaginative style,a combination of the best
of both carnatic and hindustani systems with,manodharmic raga
elaborations and a flair and felicity in his kalpana swaras,was the
result of intense and rigorous practice in his earlier years of
training.His style with strong shades of Hindustani system, pleased
even great hindustani maestros like Ustad Bade Ghulam Ali Khan,Mehdi
Hasan,and Ghulam Ali.

His unique style with a fruity,velvety voice,made him a very popular
musician all over the country,and he was held in high esteem by
leading violin maestros Lalgudi Jayaraman and M.S.Goplakrishnan,and
also by percussionists Vellore Ramabhadran and Guruvayur Dorai,all of
whom were pleased to accompany him in many concerts, and they formed a
perfectly synchronised and harmonious team .

Voleti was a very modest and humble man,not running after titles and
awards,which,though,came to him without asking -the Sangeetha Nataka
academy award, Sangeetha Choodamani,and Sur Singar among others.

Music to Voleti was not a mere profession, but the core of his
existence and passion, not a means to an end,but a divinity that
throbbed within him,waiting to give expression with full-fledged
manodharma in all his public concerts,winning accolades both from the
cognoscenti of music as well as the lay listener.He passed away in
1989 at the age of 61,and not only during his lifetime,but also
decades after his passing today, is still regarded as one of the
musical jewels gifted by Andhrapradesh who became the pride and glory
of carnatic music all over India.

_________________________________________________________
Voleti Concert upload:
Venue:Shanmukhananda,Bombay
Year:1987
Accompaniments: Violin: MSG
Mridhangam:Yella Venkateswara Rao
_________________________________________________________________________
Download Links:

01_VOLETI__NINNE_NERANAMMINANU_RA_PANTHUVARALI__01_THYAGARAJA.mp3

http://rapidshare.com/files/147121380/01_VOLETI__NINNE_NERANAMMINANU_RA_PANTHUVARALI__01_THYAGARAJA...

02_VOLETI_NINNE_NERANAMMINANU_RA_PANTHUVARALI__02_THYAGARAJA.mp3

http://rapidshare.com/files/147121381/02_VOLETI_NINNE_NERANAMMINANU_RA_PANTHUVARALI__02_THYAGARAJA...

03_VOLETI__NINNE_NERANAMMINANU_RA_PANTHUVARALI__03_THYAGARAJA.mp3

http://rapidshare.com/files/147121384/03_VOLETI__NINNE_NERANAMMINANU_RA_PANTHUVARALI__03_THYAGARAJA...

04_VOLETI__KADALEVARU_NARAYANAGOWLA_THYAGARAJA.mp3

http://rapidshare.com/files/147121385/04_VOLETI__KADALEVARU_NARAYANAGOWLA_THYAGARAJA...

05_VOLETI__SANKALPAME_KARAHARAPRIYA_01_THYAGARAJA.mp3

http://rapidshare.com/files/147121386/05_VOLETI__SANKALPAME_KARAHARAPRIYA_01_THYAGARAJA...

06_VOLETI__SANKALPAME_KARAHARAPRIYA_02_THYAGARAJA.mp3

http://rapidshare.com/files/147121387/06_VOLETI__SANKALPAME_KARAHARAPRIYA_02_THYAGARAJA...



07_VOLETI__SANKALPAME_KARAHARAPRIYA_03_THYAGARAJA.mp3

http://rapidshare.com/files/147110812/07_VOLETI__SANKALPAME_KARAHARAPRIYA_03_THYAGARAJA...

08_VOLETI__NENARUNCHINANU_MALAVI_THYAGARAJA.mp3

http://rapidshare.com/files/147110813/08_VOLETI__NENARUNCHINANU_MALAVI_THYAGARAJA...

09_VOLETI__DINARAKSHAKA_AHIRI_PONNIAH_PILLAI.mp3

http://rapidshare.com/files/147110814/09_VOLETI__DINARAKSHAKA_AHIRI_PONNIAH_PILLAI...

10_VOLETI__SANKARI_NIVANI_BEGADA_O1_SUBBARAYA_SASTRY.mp3

http://rapidshare.com/files/147110815/10_VOLETI__SANKARI_NIVANI_BEGADA_O1_SUBBARAYA_SASTRY...

11_VOLETI__SANKARI_NIVANI_BEGADA_O2_SUBBARAYA_SASTRY.mp3

http://rapidshare.com/files/147110816/11_VOLETI__SANKARI_NIVANI_BEGADA_O2_SUBBARAYA_SASTRY...

12_VOLETI__ITHI_SAMAYAMU_CHAYANATA_THYAGARAJA.mp3

http://rapidshare.com/files/147110817/12_VOLETI__ITHI_SAMAYAMU_CHAYANATA_THYAGARAJA...

13_VOLETI__RTP_THODI_01.mp3

http://rapidshare.com/files/147110819/13_VOLETI__RTP_THODI_01.mp3

14_VOLETI__RTP_THODI_02.mp3

http://rapidshare.com/files/147110820/14_VOLETI__RTP_THODI_02.mp3

15_VOLETI__RTP_THODI_03.mp3

http://rapidshare.com/files/147110821/15_VOLETI__RTP_THODI_03.mp3

16_VOLETI__MARUBARI_KAMAS_D_SUBBARAYAIYER.mp3

http://rapidshare.com/files/147110822/16_VOLETI__MARUBARI_KAMAS_D_SUBBARAYAIYER....

17_VOLETI__BHAJAGOVINDAM_RAGAMALIKA.mp3

http://rapidshare.com/files/147107892/17_VOLETI__BHAJAGOVINDAM_RAGAMALIKA.mp3

18_VOLETI__HEY_GOVINDA_SURADASA_DESH.mp3

http://rapidshare.com/files/147107893/18_VOLETI__HEY_GOVINDA_SURADASA_DESH.mp3

19_VOLETI__HARI_TUM_HARO_BHAJAN.mp3

http://rapidshare.com/files/147107894/19_VOLETI__HARI_TUM_HARO_BHAJAN.mp3

20_VOLETI__BRUHIMUKUNDE_SURUTTI_MANGALAM_SBRAH.mp3

http://rapidshare.com/files/147107895/20_VOLETI__BRUHIMUKUNDE_SURUTTI_MANGALAM_SBRAH...

Posted In: rec.music.indian.classical

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]]> Sun, 21 Sep 2008 06:21:55 PDT