<rss version="2.0">
<channel>
<title>rec.music.classical.recordings :: Classical music on CD, vinyl, cassette, etc.</title>
<link>http://www.nnseek.com/e/rec.music.classical.recordings/</link>
<description>Posts for rec.music.classical.recordings</description>
<lastBuildDate>Mon, 21 Jul 2008 19:58:49 PDT</lastBuildDate>
  <image>
    <title>http://www.nnseek.com/</title>
    <link>http://www.nnseek.com/</link>
    <url>http://www.nnseek.com/img/64.png</url>
    <width>64</width>
    <height>64</height>
    <description>NNSeek</description>
  </image>
<item>
	<title><![CDATA[Eastern European Mahler recordings]]></title>
	<guid>http://www.nnseek.com/e/rec.music.classical.recordings/eastern_european_mahler_recordings_161082312t.html</guid>
	<link>http://www.nnseek.com/e/rec.music.classical.recordings/eastern_european_mahler_recordings_161082312t.html</link>
	<description><![CDATA[I recently heard excerpts of the Ancerl/Czech Philharmonic Mahler 9th.<br>It knocked my socks off!  I came to realize that, despite a rich<br>tradition of Mahler performances in the Soviet Union and other Eastern<br>European countries, I'm unfamiliar with these.  What are some<br>recommendations for Eastern European Mahler recordings, especially<br>from the 1960s and 1970s, that are "must-hears"?<br><br>ex-neo-con<br>
    <table border="0" cellspacing="0" cellpadding="0">
      <tr>
        <td width="30">&nbsp;</td>
        <td>Posted In: <a href="http://www.nnseek.com/e/rec.music.classical.recordings/">rec.music.classical.recordings</a></td>
        <td width="20">&nbsp;</td>
        <td><a href="http://www.nnseek.com/e/rec.music.classical.recordings/eastern_european_mahler_recordings_161082312t.html">no comments</a></td>
        <td width="20">&nbsp;</td>
        <td><a href="http://www.nnseek.com/e/rec.music.classical.recordings/eastern_european_mahler_recordings_161082312m.html">Reply</a></td>
      </tr></table><br>]]></description>
	<pubDate>Mon, 21 Jul 2008 19:58:49 PDT</pubDate>
</item>
<item>
	<title><![CDATA[Ansermet LVB Sym #4]]></title>
	<guid>http://www.nnseek.com/e/rec.music.classical.recordings/ansermet_lvb_sym_4_161081032t.html</guid>
	<link>http://www.nnseek.com/e/rec.music.classical.recordings/ansermet_lvb_sym_4_161081032t.html</link>
	<description><![CDATA[<a href="http://www.mediafire.com/?ymffym3nt4o" rel="nofollow" class="url" target="_blank">http://www.mediafire.com/?ymffym3nt4o</a><br><a href="http://www.mediafire.com/?0w3zysgjg1y" rel="nofollow" class="url" target="_blank">http://www.mediafire.com/?0w3zysgjg1y</a><br><br>Stereo FLacs<br><br>Beethoven Sym #4<br>Ernest Ansermet<br>SRO<br>Oct 1958<br>Victoria Hall Recording Session<br>Produced by James Walker<br>Engineered by Roy Wallace<br><br>Sourced from a prerecorded open reel tape<br><br>Enjoy the Music that has been liberated from the Audio<br><br>Abbedd<br>
    <table border="0" cellspacing="0" cellpadding="0">
      <tr>
        <td width="30">&nbsp;</td>
        <td>Posted In: <a href="http://www.nnseek.com/e/rec.music.classical.recordings/">rec.music.classical.recordings</a></td>
        <td width="20">&nbsp;</td>
        <td><a href="http://www.nnseek.com/e/rec.music.classical.recordings/ansermet_lvb_sym_4_161081032t.html">no comments</a></td>
        <td width="20">&nbsp;</td>
        <td><a href="http://www.nnseek.com/e/rec.music.classical.recordings/ansermet_lvb_sym_4_161081032m.html">Reply</a></td>
      </tr></table><br>]]></description>
	<pubDate>Mon, 21 Jul 2008 19:46:18 PDT</pubDate>
</item>
<item>
	<title><![CDATA[A-B Michelangeli DVD - A Review]]></title>
	<guid>http://www.nnseek.com/e/rec.music.classical.recordings/a_b_michelangeli_dvd_a_review_161080520t.html</guid>
	<link>http://www.nnseek.com/e/rec.music.classical.recordings/a_b_michelangeli_dvd_a_review_161080520t.html</link>
	<description><![CDATA[Perhaps the reviewer got a little carried away here:<br><br><a href="http://www.audaud.com/article.php?ArticleID=4536" rel="nofollow" class="url" target="_blank">http://www.audaud.com/article.php?ArticleID=4536</a><br><br>pgaron<br>
    <table border="0" cellspacing="0" cellpadding="0">
      <tr>
        <td width="30">&nbsp;</td>
        <td>Posted In: <a href="http://www.nnseek.com/e/rec.music.classical.recordings/">rec.music.classical.recordings</a></td>
        <td width="20">&nbsp;</td>
        <td><a href="http://www.nnseek.com/e/rec.music.classical.recordings/a_b_michelangeli_dvd_a_review_161080520t.html">no comments</a></td>
        <td width="20">&nbsp;</td>
        <td><a href="http://www.nnseek.com/e/rec.music.classical.recordings/a_b_michelangeli_dvd_a_review_161080520m.html">Reply</a></td>
      </tr></table><br>]]></description>
	<pubDate>Mon, 21 Jul 2008 19:41:29 PDT</pubDate>
</item>
<item>
	<title><![CDATA[The Ansermet Method]]></title>
	<guid>http://www.nnseek.com/e/rec.music.classical.recordings/the_ansermet_method_161067976t.html</guid>
	<link>http://www.nnseek.com/e/rec.music.classical.recordings/the_ansermet_method_161067976t.html</link>
	<description><![CDATA[<a href="http://www.mediafire.com/?f2rjwvmgzwl" rel="nofollow" class="url" target="_blank">http://www.mediafire.com/?f2rjwvmgzwl</a><br><br>In this amazingly interesting interview,Maestro Ansermet touches on<br>his Method.  Pay attention to what he says about where he got the<br>members of the SRO in 1918. But that was only a start. He heavily<br>modified each section's method to suit his. But his choices were where<br>he had to start. Notice he eschews French Brass players and string<br>players. His winds, for example, have the wonderful advantages of the<br>French Style but not the deficiencies.These deficincies prevented them<br>from playing the Ansermet Method so he retrained them his way. The<br>same with the Vienesse brass.Or as one put it,the double reeds did not<br>have the nasal quality of the oboes in Paris not the saxophone like<br>sound of the bassoons in Paris.<br><br>This is also relevant<br><br>"He very often asked the strings section to play on the fingerboard,<br>without too much vibrato and with long strokes of the bow. In this<br>connection, he liked to quote Leopold Mozart (Father of Wolfgang<br>Amadeus the Composer and the leading Violinist of his time) who<br>recommended playing without too much vibrato so as to retain the<br>expression of the Music. In using the strings in this particular way,<br>Ansermet ran counter to the concept of present day conductors who<br>hardly practice this technique any more but always call for an intense<br>vibrato. It is for this reason that we have excellent orchestras<br>practically everywhere nowadays but without any character of their<br>own, orchestras which all sound alike, regardless of the country of<br>origin"<br><br>Paul Rudhardt, Viola Player OSR (translated from French)<br><br><br>Abbedd<br>
    <table border="0" cellspacing="0" cellpadding="0">
      <tr>
        <td width="30">&nbsp;</td>
        <td>Posted In: <a href="http://www.nnseek.com/e/rec.music.classical.recordings/">rec.music.classical.recordings</a></td>
        <td width="20">&nbsp;</td>
        <td><a href="http://www.nnseek.com/e/rec.music.classical.recordings/the_ansermet_method_161067976t.html">no comments</a></td>
        <td width="20">&nbsp;</td>
        <td><a href="http://www.nnseek.com/e/rec.music.classical.recordings/the_ansermet_method_161067976m.html">Reply</a></td>
      </tr></table><br>]]></description>
	<pubDate>Mon, 21 Jul 2008 17:22:14 PDT</pubDate>
</item>
<item>
	<title><![CDATA[OT: No time like the present]]></title>
	<guid>http://www.nnseek.com/e/rec.music.classical.recordings/ot_no_time_like_the_present_161061832t.html</guid>
	<link>http://www.nnseek.com/e/rec.music.classical.recordings/ot_no_time_like_the_present_161061832t.html</link>
	<description><![CDATA[More cardio, less lardio:<br><br>     <a href="http://tinyurl.com/abbedd" rel="nofollow" class="url" target="_blank">http://tinyurl.com/abbedd</a><br><br><br>J<br><br>
    <table border="0" cellspacing="0" cellpadding="0">
      <tr>
        <td width="30">&nbsp;</td>
        <td>Posted In: <a href="http://www.nnseek.com/e/rec.music.classical.recordings/">rec.music.classical.recordings</a></td>
        <td width="20">&nbsp;</td>
        <td><a href="http://www.nnseek.com/e/rec.music.classical.recordings/ot_no_time_like_the_present_161061832t.html">no comments</a></td>
        <td width="20">&nbsp;</td>
        <td><a href="http://www.nnseek.com/e/rec.music.classical.recordings/ot_no_time_like_the_present_161061832m.html">Reply</a></td>
      </tr></table><br>]]></description>
	<pubDate>Mon, 21 Jul 2008 16:14:46 PDT</pubDate>
</item>
<item>
	<title><![CDATA[Quite possibly the most offensive thing I've seen in some time.]]></title>
	<guid>http://www.nnseek.com/e/rec.music.classical.recordings/quite_possibly_the_most_offensive_thing_i_ve_seen_in_161057480t.html</guid>
	<link>http://www.nnseek.com/e/rec.music.classical.recordings/quite_possibly_the_most_offensive_thing_i_ve_seen_in_161057480t.html</link>
	<description><![CDATA[Do not click this link if you are eating anything, for god sakes.<br><br><a href="http://web.tampabay.rr.com/pgrpardala/FADAL.JPG" rel="nofollow" class="url" target="_blank">http://web.tampabay.rr.com/pgrpardala/FADAL.JPG</a><br><br><br>J<br><br>
    <table border="0" cellspacing="0" cellpadding="0">
      <tr>
        <td width="30">&nbsp;</td>
        <td>Posted In: <a href="http://www.nnseek.com/e/rec.music.classical.recordings/">rec.music.classical.recordings</a></td>
        <td width="20">&nbsp;</td>
        <td><a href="http://www.nnseek.com/e/rec.music.classical.recordings/quite_possibly_the_most_offensive_thing_i_ve_seen_in_161057480t.html">no comments</a></td>
        <td width="20">&nbsp;</td>
        <td><a href="http://www.nnseek.com/e/rec.music.classical.recordings/quite_possibly_the_most_offensive_thing_i_ve_seen_in_161057480m.html">Reply</a></td>
      </tr></table><br>]]></description>
	<pubDate>Mon, 21 Jul 2008 15:34:18 PDT</pubDate>
</item>
<item>
	<title><![CDATA[Today's Classical Music News &ndash; July 21, 2008]]></title>
	<guid>http://www.nnseek.com/e/rec.music.classical.recordings/today_s_classical_music_news_july_21_2008_161051592t.html</guid>
	<link>http://www.nnseek.com/e/rec.music.classical.recordings/today_s_classical_music_news_july_21_2008_161051592t.html</link>
	<description><![CDATA[Here are today's classical music news headlines. Links to these<br>articles are found at La Scena Musicale Online <a href="http://en.scena.org" rel="nofollow" class="url" target="_blank">http://en.scena.org</a>.<br>The daily news is updated by 9:30 AM PST. Search the database of over<br>25,000 articles. Check out the Editor's Choice of articles. This free<br>service is brought to you by La Scena Musicale classical magazine and<br>website.<br><br>Editor's Choice<br><br>Lang Lang: Overnight sensation now established star, (Chicago Sun-<br>Times)<br>Classical music: A fair wage — but those in bigger cities make more,<br>(Denver Post)<br>Bridging the gap, part two, (Guardian Unlimited)<br>The Hard Sell Of New Music, (Hartford Courant)<br>From Germany, an opera engulfed by shadows of war, (Boston Globe)<br>Plus More...<br><br>2008-07-21<br><br>In her comfort zone, Dame Kiri dazzles (Review, John von Rhein -<br>Chicago Tribune)<br>Houston Symphony expects a balanced budget (News, Charles Ward -<br>Houston Chronicle)<br>Composer Benjamin Britten's work lives on in DVDs of 'Peter Grimes'<br>and 'Billy Budd' (CD/DVD New Releases, Scott Cantrell - Dallas Morning<br>News)<br>Young composer makes a splash with his whale-inspired theme (Article,<br>Kimberly Sanfeliz - Boston Globe)<br>Russell Beale Will Narrate Oedipus Rex in Philharmonia Orchestra<br>Opening Concert (Article, Mark Shenton - Playbill)<br>Proms II & III: Nigel Kennedy Quintet/BBC Concert Orchestra (Review,<br>Clive Davis - The Times)<br>Students shine with orchestra (Review, Elaine Guregian - Akron Beacon<br>Journal)<br>Nothing but the best in National Youth Orchestra of Canada (Preview,<br>James Reaney - London Free Press [Canada])<br>New Brunswick Youth Orchestra scores another honour (News, Chris Fox -<br>Telegraph-Journal)<br>Smaller gems shine at Elora fest (Review, Stephen Preece - Waterloo<br>Record)<br>Pavarotti dispute over will finally settled, says widow (News, Windsor<br>Star)<br>Orchestra in the Park wraps up with a romp (Review, Richard Todd -<br>Ottawa Citizen)<br>Masterful surprise for the maestro (News, Caroline Phillips - Ottawa<br>Citizen)<br>Die schone Mullerin: An intimate voice done violence by the piano<br>(Review, Ken Winters - Globe And Mail)<br>Nigel Kennedy, Royal Albert Hall, London (Review, John Fordham - The<br>Observer)<br>BBC Concert Orchestra/Daniel, Royal Albert Hall, London (Review,<br>Andrew Clements - Guardian Unlimited)<br>Li Yuru - Chinese opera singer, has died in Shanghai aged 84<br>(Obituary, Delia Davin - Guardian Unlimited)<br>Bits and pieces whet the appetite (Review, Richard Fairman - Financial<br>Times)<br><br>LSM Blog:<br><br>Today's Birthdays in Music: July 21 (Kuerti, Stern)<br>Today's Birthday in Music: July 20 (Paik)<br>Today's Birthdays in Music: July 19 (Neel, Braun, Glennie)<br>In a critical condition (3)<br>In a critical condition (2)<br>Today's Birthdays in Music: July 18 (Schafer, Viardot, Masur)<br>In a critical condition (1)<br>Today's Birthdays in Music: July 17 (Upshaw, Steber)<br>Today's Birthdays in Music: July 16 (Zukerman, Ysaÿe)<br>Letter to the Editor - Classical 96<br>Today's Birthdays in Music: July 15 (Margison, Bream, Birtwistle)<br>Today's Birthday in Music: July 14 (Finzi)<br><br>© La Scena Musicale 2000-2008<br><br>
    <table border="0" cellspacing="0" cellpadding="0">
      <tr>
        <td width="30">&nbsp;</td>
        <td>Posted In: <a href="http://www.nnseek.com/e/rec.music.classical.recordings/">rec.music.classical.recordings</a></td>
        <td width="20">&nbsp;</td>
        <td><a href="http://www.nnseek.com/e/rec.music.classical.recordings/today_s_classical_music_news_july_21_2008_161051592t.html">no comments</a></td>
        <td width="20">&nbsp;</td>
        <td><a href="http://www.nnseek.com/e/rec.music.classical.recordings/today_s_classical_music_news_july_21_2008_161051592m.html">Reply</a></td>
      </tr></table><br>]]></description>
	<pubDate>Mon, 21 Jul 2008 14:29:34 PDT</pubDate>
</item>
<item>
	<title><![CDATA[MusicMakerPro 1.7]]></title>
	<guid>http://www.nnseek.com/e/rec.music.classical.recordings/musicmakerpro_1_7_161050056t.html</guid>
	<link>http://www.nnseek.com/e/rec.music.classical.recordings/musicmakerpro_1_7_161050056t.html</link>
	<description><![CDATA[MusicMakerPro 1.7<br>FREE Fully Functional Demo<br>MusicMakerPro Polyphonic Synthesizer Software<br>8 Track Polyphonic Synthesizer Software<br>Select, Copy, Paste Functions X Eight channels<br>Biultin Media Player, Music Maker and Mixer<br>178 Polyphonic Instruments, 180 Tempo Rates<br>Alpha Blending, Note Invearsion, Flip Note Options<br>Midi Mapper, MP-401, and MS GS Wavetable Synth<br>Paypal Accepted, Only $35, Instant Delivery<br><a href="http://www.sharewaresoftware.org/musicmaker/musicmaker.htm" rel="nofollow" class="url" target="_blank">http://www.sharewaresoftware.org/musicmaker/musicmaker.htm</a><br>
    <table border="0" cellspacing="0" cellpadding="0">
      <tr>
        <td width="30">&nbsp;</td>
        <td>Posted In: <a href="http://www.nnseek.com/e/rec.music.classical.recordings/">rec.music.classical.recordings</a></td>
        <td width="20">&nbsp;</td>
        <td><a href="http://www.nnseek.com/e/rec.music.classical.recordings/musicmakerpro_1_7_161050056t.html">no comments</a></td>
        <td width="20">&nbsp;</td>
        <td><a href="http://www.nnseek.com/e/rec.music.classical.recordings/musicmakerpro_1_7_161050056m.html">Reply</a></td>
      </tr></table><br>]]></description>
	<pubDate>Mon, 21 Jul 2008 13:55:32 PDT</pubDate>
</item>
<item>
	<title><![CDATA[Classic Film Scores CDs available]]></title>
	<guid>http://www.nnseek.com/e/rec.music.classical.recordings/classic_film_scores_cds_available_161046984t.html</guid>
	<link>http://www.nnseek.com/e/rec.music.classical.recordings/classic_film_scores_cds_available_161046984t.html</link>
	<description><![CDATA[Collectors,<br><br>ArkivMusic has reissued almost all of the legendary RCA Charles Gerhardt<br>Classic Film Scores series, most of which have been unavailable for many<br>years.  There are a few not yet issued, but Arkiv plans to issue them as<br>well. For a feature story on the Classic Film Scores series, and a listing<br>of all titles currently available with "Buy Now" tags for ArkivMusic, please<br>check out:<br><br><a href="http://www.classicalcdreview.com/cfs.htm" rel="nofollow" class="url" target="_blank">http://www.classicalcdreview.com/cfs.htm</a><br><br>Thank you, and enjoy!<br><br>
    <table border="0" cellspacing="0" cellpadding="0">
      <tr>
        <td width="30">&nbsp;</td>
        <td>Posted In: <a href="http://www.nnseek.com/e/rec.music.classical.recordings/">rec.music.classical.recordings</a></td>
        <td width="20">&nbsp;</td>
        <td><a href="http://www.nnseek.com/e/rec.music.classical.recordings/classic_film_scores_cds_available_161046984t.html">no comments</a></td>
        <td width="20">&nbsp;</td>
        <td><a href="http://www.nnseek.com/e/rec.music.classical.recordings/classic_film_scores_cds_available_161046984m.html">Reply</a></td>
      </tr></table><br>]]></description>
	<pubDate>Mon, 21 Jul 2008 13:31:10 PDT</pubDate>
</item>
<item>
	<title><![CDATA[Favorite Beethoven Symphony no. 4?]]></title>
	<guid>http://www.nnseek.com/e/rec.music.classical.recordings/favorite_beethoven_symphony_no_4_161028040t.html</guid>
	<link>http://www.nnseek.com/e/rec.music.classical.recordings/favorite_beethoven_symphony_no_4_161028040t.html</link>
	<description><![CDATA[I would like to know your favorite performance or performances of <br>Beethoven's fourth symphony. If you can say why, that's good, but you don't <br>have to. I'm especially interested in CDs that are available now, but if you <br>have an oldie you like very much, don't hesitate to tell us.<br><br>Of the recordings I have, my favorites are Scherchen (from Rolf's mp3 files <br>of the 1954 Westminster LP recording), Fey, and Paavo Jarvi. I used to love <br>Muti long ago, but I don't listen to it very often any more.<br><br>My daughter-in-law and I will be studying Beethoven's fourth symphony <br>together soon. I have already made her a CD from Rolf's mp3 files of <br>Scherchen. I think I will buy her a copy of Fey or Jarvi, but I haven't <br>figured out yet which one I like better! I'm not asking you to tell me which <br>one I should buy for my daughter-in-law, but I would find comments about <br>either of those CDs especially interesting.<br><br>Dan Amodeo <br><br><br>
    <table border="0" cellspacing="0" cellpadding="0">
      <tr>
        <td width="30">&nbsp;</td>
        <td>Posted In: <a href="http://www.nnseek.com/e/rec.music.classical.recordings/">rec.music.classical.recordings</a></td>
        <td width="20">&nbsp;</td>
        <td><a href="http://www.nnseek.com/e/rec.music.classical.recordings/favorite_beethoven_symphony_no_4_161028040t.html"><b>32</b> Comments</a></td>
        <td width="20">&nbsp;</td>
        <td><a href="http://www.nnseek.com/e/rec.music.classical.recordings/favorite_beethoven_symphony_no_4_161028040m.html">Reply</a></td>
      </tr></table><br>]]></description>
	<pubDate>Mon, 21 Jul 2008 10:40:40 PDT</pubDate>
</item>
</channel>
</rss>