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<lastBuildDate>Fri, 26 Dec 2008 08:37:02 PST</lastBuildDate>
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	<title><![CDATA[Effects of Bias on Human Perception]]></title>
	<guid>http://www.nnseek.com/e/rec.audio.highend/effects_of_bias_on_human_perception_205718841t.html</guid>
	<link>http://www.nnseek.com/e/rec.audio.highend/effects_of_bias_on_human_perception_205718841t.html</link>
	<description><![CDATA[The following paper provides scientific evidence for the idea that spending <br>lots of money makes people have more favorable perceptions about the objects <br>that they lavish their cash on:<br><br><a href="http://www.pnas.org/content/105/3/1050.abstract" rel="nofollow" class="url" target="_blank">http://www.pnas.org/content/105/3/1050.abstract</a><br><br>"Despite the importance and pervasiveness of marketing, almost nothing is <br>known about the neural mechanisms through which it affects decisions made by <br>individuals. We propose that marketing actions, such as changes in the price <br>of a product, can affect neural representations of experienced pleasantness. <br>We tested this hypothesis by scanning human subjects using functional MRI <br>while they tasted wines that, contrary to reality, they believed to be <br>different and sold at different prices. Our results show that increasing the <br>price of a wine increases subjective reports of flavor pleasantness as well <br>as blood-oxygen-level-dependent activity in medial orbitofrontal cortex, an <br>area that is widely thought to encode for experienced pleasantness during <br>experiential tasks. The paper provides evidence for the ability of marketing <br>actions to modulate neural correlates of experienced pleasantness and for <br>the mechanisms through which the effect operates."<br><br>More specifically, the authors took 20 volunteers, fed them wine, and did <br>not let them know if they were tasting a $10 wine or a $90 wine. When they <br>were told they were drinking the $90 wine, the fMRI recorded higher levels <br>of activity in the part of the brain associated with pleasure. This happened <br>regardless of which wine they drank.<br><br>The application of this paper to audiophilia is pretty obvious. A mechanism <br>has been identified in the human brain that causes people to perceive more <br>pleasure from products whose only difference from other products is that <br>they simply cost a great deal more. <br><br><br>
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	<pubDate>Fri, 26 Dec 2008 08:37:02 PST</pubDate>
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	<title><![CDATA[Re: Recommendations of DIY high-end floor standing speaker (complete)]]></title>
	<guid>http://www.nnseek.com/e/rec.audio.highend/recommendations_of_diy_high_end_floor_standing_speaker_205674297t.html</guid>
	<link>http://www.nnseek.com/e/rec.audio.highend/recommendations_of_diy_high_end_floor_standing_speaker_205674297t.html</link>
	<description><![CDATA[Peter Wieck wrote:<br>> On Dec 2, 9:27 pm, "DJ" <i...@<a href="http://theaudiophilestore.com" rel="nofollow" class="url" target="_blank">theaudiophilestore.com</a>> wrote:<br>> <br>>>Either on a two-way or a three-way design (the more full-range the better).<br>>>I'm kind of leaning towards a DIY ProAc Response 2.5 kit since this was one<br>>>of my favorite speakers for music of all time.<br>>><br>>>Also, I would prefer a kit that comes with an assembled crossover network<br>>>and an assembled and finished cabinet as well.<br>>><br>>>Although a high level of value is mainly what I'm looking for, the most<br>>>important quality is the musical performance of the speaker system.<br>>><br>>>Thanks in advance for your suggestions...<br>>><br>>>Best regards,<br>>><br>>>-DJ<br>>><br>>>P.S.  If you think building my own would prove to be a better musical value<br>>>(I do have some experience in building speakers over the last 20 years or so<br>>>as a novice hobbiest), I welcome specific driver combination recommendations<br>>>as well.  Thanks again.<br>> <br>> <br>> I will suggest that some of your parameters are in conflict. If you<br>> want a complete kit requiring only a screwdriver and (perhaps) some<br>> caulk, that is hardly DIY. Given also that you want the cabinet to be<br>> assembled (and presumably also finished), you won't save much on<br>> shipping or labor either, nor will you have any freedom as to driver<br>> sizes and basic system design. So, you will arrive at a pre-designed<br>> speaker of pre-designated components with limited savings and - worst<br>> of all - no opportunity to audition the results. Further to that, any<br>> errors made in the final assembly will be yours and only yours. I see<br>> no virtue in this choice.<br>> <br>> There are MANY sources and venues for speaker design, everything from<br>> single-driver folded horns to complex multi-driver systems.<br>> Additionally, classic past designs from the AR3a through various<br>> electrostatic designs are available as kits using modern materials and<br>> benefiting from all that has been learned over the last 80 years of<br>> advances in technology and materials.<br><br>Regarding the MANY sources and venues for speaker design, where would we <br>locate sources of designs or kits for constructing classic past designs <br>such as the AR3a, or good current designs? Any suggestions or opinions <br>regarding choices and sources of kits or designs that have good <br>reputations, measured by percentage of systems completed and general <br>customer satisfaction with the results?  In other words, I already have <br>multiple interests and responsibilities, and I don't want to get <br>involved with an extensive, time-consuming project, particularly if <br>equivalent or better results would be available on the used market.<br><br>Jim Cate<br>
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        <td><a href="http://www.nnseek.com/e/rec.audio.highend/recommendations_of_diy_high_end_floor_standing_speaker_205674297t.html">no comments</a></td>
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	<pubDate>Thu, 25 Dec 2008 21:58:52 PST</pubDate>
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	<title><![CDATA[Infinity]]></title>
	<guid>http://www.nnseek.com/e/rec.audio.highend/infinity_205608249t.html</guid>
	<link>http://www.nnseek.com/e/rec.audio.highend/infinity_205608249t.html</link>
	<description><![CDATA[Earlier this week I, (mostly for fun) I bought a pair of Infinity SM-155. <br>$300 in perfect condition.. Yeah, they're like the size of fridges and the <br>bass has more quantity than quality. But: I'm sure I have seen some detailed <br>instructions somewhere on the net for modifying these. Bracing, <br>insulating/dampening, retuning the bass port with a longer pipe, bypassing <br>the l-pads etc. Has anybody else come across this? (the speaker posts are <br>already replaced with<br>the nut-and-bolt type.<br>___________<br>Digiman <br><br><br>
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	<pubDate>Thu, 25 Dec 2008 09:31:45 PST</pubDate>
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	<title><![CDATA[[Admin] Posting problems mini-FAQ]]></title>
	<guid>http://www.nnseek.com/e/rec.audio.highend/admin_posting_problems_mini_faq_205353529t.html</guid>
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	<description><![CDATA[<br>Rec.audio.high-end is a moderated group.<br><br>As stated in our guidelines, submitted messages that are not<br>acceptable for posting to the group will receive a rejection notice<br>unless it is one of the following:<br><br>1. Spam<br>2. A "for sale" or "wanted to buy" post.<br>3. Crossposted<br>4. Uses a spam-proofed or some other type of non-replyable address.<br><br>If you post something that doesn't fit the above 4 categories and you<br>haven't seen it posted or received a rejection notice after at least<br>48 hrs on weekdays or 72 hrs on weekends and holidays, then contact<br>the moderators at:<br><br>rahe-mods@<a href="http://bigfoot.com" rel="nofollow" class="url" target="_blank">bigfoot.com</a><br><br>We will always work with you to determine the cause of the problem.<br>Please do not assume a lack of acknowledgment as a rejection of your<br>post.  That is not the way we operate.<br><br>Note that we will not click any links to have ourselves added to your<br>"allowed senders" list. We will consider such addresses as invalid.<br><br>Please refer to our guidelines that are posted weekly for more info.<br><br>Thanks,<br>RAHE Moderators<br><br>--<br><br>
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        <td><a href="http://www.nnseek.com/e/rec.audio.highend/admin_posting_problems_mini_faq_205353529t.html">no comments</a></td>
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	<pubDate>Mon, 22 Sep 2008 17:15:05 PDT</pubDate>
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	<title><![CDATA[[Admin] Rec.Audio.High-End Newsgroup Guidelines]]></title>
	<guid>http://www.nnseek.com/e/rec.audio.highend/admin_rec_audio_high_end_newsgroup_guidelines_204858169t.html</guid>
	<link>http://www.nnseek.com/e/rec.audio.highend/admin_rec_audio_high_end_newsgroup_guidelines_204858169t.html</link>
	<description><![CDATA[<br><br>         ___________________________________________________<br>________|                                                   |________<br>\       |                Rec.Audio.High-End                 |       /<br> \      |               Newsgroup Guidelines                |      /<br> /      |___________________________________________________|      \<br>/___________)       . revision date 6/14/2008 .         (__________\<br><br><br>  ====================================================================<br><br>  Table Of Contents:<br><br>  1.0 Newsgroup Moderation<br>|     1.1 Moderating Team<br>      1.2 Moderator Rules<br>      1.3 Article Processing Time<br>  2.0 Definition of High-End Audio<br>  3.0 Topics Appropriate for rec.audio.high-end<br>  4.0 Posting Guidelines<br>      4.1  Posts Lacking Substance<br>      4.2  Posts with a Limited Audience<br>      4.3  Basic Questions<br>      4.4  'For Sale' and 'Wanted To Buy' Messages<br>      4.5  Duplicate Posts<br>      4.6  Cross-posting and Multi-posting<br>      4.7  Posts with Illegal or Spam-proofed Addresses<br>      4.8  Inflammatory Posts<br>      4.9  Commercial Posts<br>      4.10 Announcements<br>      4.11 Music-related Posts<br>      4.12 Formatting of Posts<br>      4.13 Quoted Text<br>      4.14 Signature Files<br>      4.15 Meta-discussions<br>      4.16 Revised Posts<br>  5.0 Administrivia<br><br>  [Changes in this revision are denoted by a `|' in the first column]<br><br>  ====================================================================<br><br><br>  --------------------------------------------------------------------<br><br>  1.0 -- Newsgroup Moderation<br><br>  rec.audio.high-end is a moderated Usenet newsgroup.  All articles<br>  posted to the newsgroup are first reviewed by a moderator to verify<br>  that they are suitable for publication.  The guidelines defining<br>  what is appropriate are set out in subsequent sections of this<br>  document.<br><br>    1.1 - Moderating Team<br><br>    The newsgroup currently operates with a team of moderators.  The<br>    present members of that team are:<br><br>      David Bath<br>      Renaud Dreyer<br>|     Dan Ritter<br><br>    The moderating team may be contacted by sending e-mail to the<br>    address listed in the Administrivia section.<br><br>    1.2 - Moderator Rules<br><br>    Moderators will subject their own posts to the same moderation<br>    procedures applied to other posters to the newsgroup.  The lone<br>    exception being for posts of an administrative nature.<br><br>    Moderators will not edit any new text in articles.  They may<br>    delete or edit quoted text or gratuitous signatures.  They may<br>    also add a comment to, for instance, provide information that<br>    will limit unnecessary follow-up posts.  Moderators may reformat<br>    new or quoted text to improve readability.<br><br>    All moderator alterations, with the exception of reformatting and<br>    deleted quoted signatures, will be identified according to the<br>    following convention (where 'xyz' are the moderator's initials):<br> <br><br>      [ ..... -- xyz ]<br><br>    1.3 - Article Processing Time<br><br>    There will be a delay between the time when you post an article<br>    to the newsgroup and when that article actually appears on your<br>    local news server (or you receive a rejection notice).  This<br>    delay will usually be no more than 48 hours.  Posts submitted<br>    late on Friday and on weekends may not be processed until<br>    sometime on Monday, resulting in delays of up to 72 hours.  The<br>    moderators do try very hard to process your submissions as<br>    promptly as possible.<br><br>    Please realize that when a moderator approves a post to the<br>    newsgroup it goes to their local news server first, and must then<br>    propagate from that server (across the net) to your local news<br>    server.  This process usually takes from several minutes to a few<br>    hours, although it may take up to a day if network traffic is<br>    heavy or key systems (like your own) are down.<br><br>    As different moderators process posts at different times, posts<br>    may occasionally appear out of sequence from when they were<br>    actually submitted.  This should cause no appreciable problems<br>    for posts containing reasonable 'Subject' and 'Reference'<br>    headers.<br><br>  --------------------------------------------------------------------<br><br>  2.0 -- Definition of High-End Audio<br><br>  The working definition of 'high-end audio' under which this<br>  newsgroup operates is<br><br>    a) audio equipment whose primary and fundamental design goal is<br>       to reproduce a musical event as faithfully as possible; or<br><br>    b) audio equipment which attempts to provide an electromechanical<br>       realization of the emotional experience commonly called music;<br>       or<br><br>    c) any relevant issues related to the use, design or theory about<br>       a) or b).<br><br>  Price is generally not significant in determining whether or not a<br>  given component may be considered 'high-end'.<br><br>  --------------------------------------------------------------------<br><br>  3.0 -- Topics Appropriate for rec.audio.high-end<br><br>  Within the realm of high-end audio, as defined previously, any<br>  topic is permitted.  Theories, opinions, and questions are all<br>  appropriate if they are concerned with the reproduction of music.<br><br>  Please realize that the objective of this newsgroup is the<br>  substantive discussion and exchange of information related to<br>  high-end audio. Posts that do not further this objective, even if<br>  peripherally related to an appropriate topic, may not be approved.<br><br>  --------------------------------------------------------------------<br><br>  4.0 -- Posting Guidelines<br><br>  Beyond addressing appropriate topics, articles must also conform to<br>  the restrictions listed below.<br><br>    4.1 - Posts Lacking in Substance<br><br>    In submitting a new post or following up on a previous post,<br>    attempt to provide as much concrete substance as possible, in<br>    order to make your post most useful to the readers.  This also<br>    applies to requests for opinion and to technical questions;<br>    queries that are vague or offer no content will not be accepted<br>    for rec.audio.high-end.<br><br>    Examples of complete posts not adhering to this guideline are:<br><br>      - "Tube amps are best."<br><br>        [ No basis given.  Please state *why*. ]<br><br>      - "I don't agree."<br><br>        [ Why not?  Offer alternative or complementary info. ]<br><br>      - "What do you think of xyz?"<br><br>        [ Please include the context of the rest of your system, your<br>          taste in music, or aspects of reproduced sound that are<br>          important to you. ]<br><br>      - "Check out <a href="http://my.neat.audio.page" rel="nofollow" class="url" target="_blank">http://my.neat.audio.page</a>"<br> <br>        [ Please include a useful description of the site's content ]<br><br>    Admittedly, this can be a gray area.  Moderators will deal with<br>    posts on a case-by-case basis.  A moderator may suggest that the<br>    article be directed as private e-mail to a previous poster in the<br>    thread, posted to another newsgroup instead, or be revised and<br>    resubmitted here.<br><br>    4.2 - Posts with a Limited Audience<br><br>    Posts that request highly specific information that is likely of<br>    interest to few readers other than the poster, are best directed<br>    to one of the other, more topic-specific, rec.audio newsgroups. <br>    Such posts include (along with the more appropriate newsgroup):<br>    requests for addresses and phone numbers (r.a.misc); queries for<br>    equipment pricing and sources (r.a.marketplace); references to<br>    product reviews (r.a.opinion); and calls for spec sheets,<br>    schematics, and circuit diagrams (r.a.tech).<br><br>    Responses to posts appearing in rec.audio.high-end that would be<br>    of interest only to the original poster and not to the group as a<br>    whole, should be directed to that poster as private e-mail.  This<br>    provides a more efficient way to deliver the information to those<br>    who are most interested.<br><br>    4.3 - Basic Questions<br><br>    Very basic audio questions that likely can be answered quickly by<br>    any number of readers are best posed elsewhere: technical queries<br>    should go to rec.audio.tech and more general ones to<br>    rec.audio.misc. More complex technical issues, along with other<br>    substantive audio-related questions, are certainly welcome here.<br><br>    4.4. 'For Sale' and 'Wanted To Buy' Messages<br><br>    'For-Sale' and 'Wanted To Buy' messages will not be accepted.<br>    Posters will be directed to rec.audio.marketplace for Usenet<br>    coverage.  There are sufficient outlets, both on-line and in<br>    other media, for the buying and selling of audio-related items<br>    that it does not make sense for rec.audio.high-end to handle such<br>    traffic as well.<br><br>    Post that fall into this category will not get rejection notices<br>    since they obviously violate the guidelines.<br><br>    4.5 - Duplicate Posts<br><br>    Do not submit a post more than once.  Duplicate posts will likely<br>    go to different moderators, causing unnecessary headaches in the<br>    moderation process.<br><br>    Sometimes, due to system problems anywhere between the poster's<br>    system and the moderator's, submissions may get lost.  This does<br>    not happen very often, but the potential exists.  We thus<br>    encourage posters to save copies of their submissions,<br>    particularly if they are long articles that were time consuming<br>    to write.  If you believe that a post was somehow lost, please<br>    send e-mail to the moderators (at the address listed in the<br>    Administrivia section) describing the problem *prior* to<br>    submitting another copy of the article.  It may simply be that<br>    the post has not yet been processed.  Please see the section "1.3<br>    - Article Processing Time" for a description of the typical time<br>    required for a post to go through the moderation process.<br><br>    4.6 - Cross-posting and Multi-posting<br><br>    In general, any post which has been, or is being, posted to other<br>    newsgroups is not eligible for inclusion in rec.audio.high-end.<br>    Please do not use the cross-post feature in your news reader for<br>    submissions to this group as they will not be accepted. <br><br>    4.7 - Posts with Illegal or Spam-proofed Addresses<br><br>    Anonymous postings are discouraged, and posts with spam-proofed<br>    or other invalid addresses are not accepted.  Posters are<br>    encouraged to provide both their name and email address.  At a<br>    minimum, though, articles must contain a valid email address<br>    belonging to the author. That address must be in the 'From:'<br>    header field, unless a 'Reply-To:' header field is used, then it<br>    must have the valid address.<br>    <br>    We suggest that a separate free email account, such as hotmail,<br>    yahoo, etc., be used by those who do not wish to expose their<br>    usual email address to spammers.<br><br>    Posts with invalid addresses will not be processed (approved or<br>    declined) and their authors will not be contacted about the<br>    problem.  The posts will simply be discarded.<br><br>    Posters with address-related problems that are truly beyond their<br>    control are encouraged to contact the moderators to make<br>    arrangements for appropriate long-term handling of their<br>    submissions.<br><br>    4.8 - Inflammatory Posts<br><br>    Any content-free, personal-attack articles will be sent back for<br>    revision.  Flames must be directed toward the substance of an<br>    article and not the author of the article.  Posts containing<br>    appreciable content and personal attacks will be returned to the<br>    author for removal of the latter. The words "liar", "lie", or<br>    "lying" are always considered to be inflammatory and posts<br>    containing them will not be accepted.<br><br>    Posts that have an offensive tone, that is, use rude,<br>    condescending, or tactless language, or that are belittling or<br>    denigrating at all, will be considered inflammatory and returned<br>    to the author for revision.<br><br>    The moderators may, at their discretion, decline a post which<br>    recommends a Web site that is deemed to be inflammatory.<br><br>    4.9 - Commercial Posts<br><br>    Posts of a commercial nature are prohibited.  Do not use this<br>    newsgroup as a forum for propaganda or promotion of a product or<br>    service.  Usenet is not intended as a vehicle for free<br>    advertising. Such a practice is harshly frowned upon and will not<br>    be tolerated in rec.audio.high-end.<br><br>    If you are a dealer or manufacturer of audio equipment, or work<br>    for any audio-related businesses, it is expected that you mention<br>    your affiliation in any post directly or indirectly regarding a<br>    product you sell or manufacture (e.g., if a post concerns a<br>    competing product to your own, it would be appropriate to include<br>    your affiliation).<br><br>    If in a moderator's opinion a post is intended more for promotion<br>    than for information, that post will be declined.<br><br>    Please keep in mind: 'information not persuasion'.<br><br>    4.10 - Announcements<br><br>    Posts announcing events, services, or information that may be of<br>    interest to the newsgroup's readers are encouraged.  Examples of<br>    this type of post include: the formation or meeting of an audio<br>    club; a visit of a manufacturer to an audio store; the creation<br>    or update of an audio-related web site; and the availability of<br>    software, plans, or other information of interest to DIYers or<br>    audiophiles in general.  Such announcements are subject to the<br>    following guidelines:<br><br>      - In announcing meetings, public demonstrations, and the like,<br>        please don't continually submit announcement posts.  An<br>        initial announcement of the event, along with a reminder a<br>        week or so before the event itself, should be sufficient.  If<br>        you feel additional posts are required (e.g., significant<br>        planning may needed in order for readers to attend), please<br>        contact the moderators to arrange something appropriate.<br><br>      - Web site announcements (i.e., WWW URL listings) should be<br>        accompanied by a short description of what is contained in or<br>        accessible from that site.  Posts from commercial sources are<br>        allowed, provided the site contains information, other than<br>        strictly product promotion, that will be of use to the<br>        group's readers.  Sites with commercial content must be<br>        indicated as such, including company and relevant<br>        affiliations (e.g., if you're a dealer for a company's<br>        product, say so).  Site accessibility and content will be<br>        verified by the moderators prior to approving the<br>        announcement.<br><br>        Repeated announcements of a web site's availability are<br>        discouraged.  Please limit posts to an initial one announcing<br>        the site, and follow-ups *only* when the site has moved or<br>        its content significantly changed.<br><br>    4.11 - Music-related Posts<br><br>    Posts that discuss music (e.g., recommendations for particular<br>    compositions or musical genres, discussions of the relationship<br>    between music and high-end audio, and other music-related issues)<br>    are welcome in rec.audio.high-end.  The newsgroup's goal,<br>    however, is not to replicate the content of the groups within the<br>    rec.music newsgroup hierarchy.  While such discussions outside of<br>    this newsgroup may focus solely, or at least primarily, on the<br>    quality of the music and its performance, music-related<br>    discussions within rec.audio.high-end should consider the sound<br>    quality of the recording as well.<br><br>    The general guidelines regarding substantive posts apply equally<br>    well to music-related discussions.  It is fine to post a brief<br>    query such as "Can anyone recommend a natural sounding recording<br>    of Banglewinkler's 4th Symphony?"  A reply that simply suggests<br>    "Try The Musicmeister Philharmonic on Really Loud Records." isn't<br>    sufficient.  If you're suggesting the recording, there is<br>    certainly a reason.  Describe the attributes of the performance<br>    and/or sonics that recommend the particular recording(s).<br><br>    4.12 - Formatting of Posts<br><br>    If an article requires formatting to be readable, it may returned<br>    to the author to be reformatted.  Formatting problems include:<br>    unclear citation of quoted text, indistinct division between<br>    quoted text and new text, and lines of new text longer than 70<br>    characters.  Try to make each post esthetically pleasing; long,<br>    unruly letters are often skipped by readers.<br><br>    The 70 character limit is not arbitrary.  Most news readers<br>    operate within a real or virtual 80 column screen.  Lines<br>    extending beyond 79 characters are typically wrapped or<br>    truncated, making posts difficult to read as a result.  Keeping<br>    new text to no more than 70 characters per line allows that text<br>    to be quoted and re-quoted several times in follow-up posts<br>    without the quoted text extending beyond the screen's boundaries.<br><br>    Any articles received that contain HTML or MIME text formatting,<br>    or any binary attachments such as pictures, will be immediately<br>    returned for revision.  Most news software do not support articles<br>    in this form.  The newsgroup is administered so that it is<br>    readable by everyone, not just those using specific software.  If<br>    your news software sends HTML or MIME encoding by default, please<br>    turn the feature off.<br><br>    4.13 - Quoted Text<br><br>    In follow-up articles, please limit the amount of quoted text.<br>    Excess quoting makes an article difficult to read.  Additionally,<br>    some news software will not accept posts that contain more quoted<br>    text than new.  Do not quote 'signatures'.<br><br>    In dealing with this situation, a moderator may either return for<br>    revision a post with quoting problems or edit the article by<br>    deleting excess quoted text.<br>    <br>    Quoted text must be clearly indicated in a post. Typically news<br>    posting software will mark quoted text with a ">" character at<br>    the beginning of the quoted lines so that it is obvious which is<br>    quoted text and which is new text that the author has added.<br>    Please use this method or something similar when posting to RAHE.<br><br>    If you are quoting a person to build an argument, please quote<br>    that person verbatim with references.  Do not merely rely on<br>    memory or paraphrase.<br><br>    4.14 - Signature Files<br><br>    Article 'signatures' (of the type automatically appended to a<br>    post from a 'signature file') can serve a variety of purposes. <br>    They may provide reliable contact information (particularly for<br>    e-mail), list an affiliation with some organization or company,<br>    serve as a copyright notice, say something interesting about the<br>    poster, or any of a half dozen other tasks of note.  However nice<br>    or useful signatures may be in the abstract, they get<br>    tremendously tedious in practice when they grow needlessly long. <br>    Please keep your signatures to no more than four lines in length<br>    (for most purposes, one or two lines should easily suffice).<br><br>    Articles with excessively long signatures will either have the<br>    signatures deleted outright by the moderators prior to approval<br>    or will be returned to the author for revision.<br><br>    Exceptions to the signature restrictions will be made, provided<br>    that the poster has a very good reason for the format of their<br>    particular signature and that they communicate that reason to the<br>    moderators. One example of such an acceptable reason would be<br>    legal disclaimers required by the poster's organization (company,<br>    university, or facility providing their Internet access).<br><br>    4.15 - Meta-discussions<br><br>    The focus of the newsgroup is the discussion of issues related to<br>    high-end audio.  A 'meta-discussion', within the context of<br>    rec.audio.high-end, refers to the discussion of how these central<br>    issues are themselves discussed within the newsgroup.  In a<br>    sense, they are analogous to the "Letters" (to the editor)<br>    section of a magazine.<br><br>    Currently, meta-discussions are held in the rahe-discuss email<br>    list. Info on how to subscribe is in the Administrivia section.<br><br>    4.16 Revised Posts<br> <br>    When asked to revise a post by one of the moderators, please<br>    delete any ">" or any other text that has been added as a result<br>    of the revision request. But do add a note to the moderators that<br>    this is a revised post, it makes the moderation process simpler.<br><br>  --------------------------------------------------------------------<br><br>  5.0 -- Administrivia<br><br>  To submit an article to rec.audio.high-end, either<br><br>    a) post to the newsgroup using your local news reading software<br>       <br>       or<br><br>    b) send as e-mail to<br><br>         <rec-audio-high-end@<a href="http://moderators.isc.org" rel="nofollow" class="url" target="_blank">moderators.isc.org</a>>.<br><br>  To contact the newsgroup's moderators, send e-mail to:<br><br>    <rahe-mods@<a href="http://bigfoot.com" rel="nofollow" class="url" target="_blank">bigfoot.com</a>>.<br><br>  A discussion list for discussing the moderation of RAHE and<br>  moderation policies can be subscribed to by emailing:<br><br>  <RAHE-discuss-subscribe@<a href="http://yahoogroups.com" rel="nofollow" class="url" target="_blank">yahoogroups.com</a>><br> <br>  Note that subscriptions to this list are by approval only and even<br>  though there will be much more leeway in the content of messages on<br>  the list, overt flaming and abusive messages will not be tolerated<br>  and the individual will be removed from the list.<br><br>  Past RAHE articles may be found using Google Groups:<br>  <br>    <a href="http://groups.google.com/advanced_group_search" rel="nofollow" class="url" target="_blank">http://groups.google.com/advanced_group_search</a><br> <br>  --------------------------------------------------------------------<br><br><br>
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        <td>Posted In: <a href="http://www.nnseek.com/e/rec.audio.highend/">rec.audio.highend</a></td>
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        <td><a href="http://www.nnseek.com/e/rec.audio.highend/admin_rec_audio_high_end_newsgroup_guidelines_204858169t.html">no comments</a></td>
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	<pubDate>Fri, 19 Sep 2008 17:15:03 PDT</pubDate>
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	<title><![CDATA[decline of civilzation? Re: Vinyl Revival]]></title>
	<guid>http://www.nnseek.com/e/rec.audio.highend/decline_of_civilzation_re_vinyl_revival_204838201t.html</guid>
	<link>http://www.nnseek.com/e/rec.audio.highend/decline_of_civilzation_re_vinyl_revival_204838201t.html</link>
	<description><![CDATA[you know, every generation has complained about the decline of <br>civilization - you can find quotes from Pliny the elder about this, you can <br>certainly amuse yourself reading about the evils of rock and roll, or the <br>evils of Mozart and how society will be in Hades soon.<br><br>What you are seeing is the reaction to change, not to decline.  Just because <br>YOU (Nietzsche) or don't like it, doesn't mean that it is bad.  Tehre is <br>some of this in the pro/anti vinyl arguements, and there is some truth on <br>both sides.  Let's not confuse personal preference with the long term <br>destiny of humankind.<br><br><mpresley@<a href="http://earthlink.net" rel="nofollow" class="url" target="_blank">earthlink.net</a>> wrote in message <br>news:6jhiogF3b3qbU1@<a href="http://mid.individual.net" rel="nofollow" class="url" target="_blank">mid.individual.net</a>...<br>> Sonnova wrote:<br>><br>>> Well, the point is that mass entertainment, of all kinds, is an indicator<br>>> of the health of society. That all forms of pop entertainment have<br>>> consistently declined since WWII shows that our society is in decline. <br>>> The<br>>> fact that YOU might like the products of that decline or that I might not<br>>> is largely irrelevant. That change is occurring, like it or not. <br>>> Nietzsche<br>>> once noted that when people's tastes change, it is rarely for the better.<br>>> I think he has something there.<br>><br>> Well, FN did not like Wagner either, so there is no accounting for taste.<br>> But, to be fair, Nietzsche's criticism of Wagner was not mostly music<br>> related, although that was a component.  In the latter, he was, of course,<br>> aesthetically wrong, inasmuch as Wagner was one of the four or five top<br>> composers within our Western tradition.  However, I know what you mean.<br>><br>> Michael<br>> <br><br>
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        <td>Posted In: <a href="http://www.nnseek.com/e/rec.audio.highend/">rec.audio.highend</a></td>
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        <td><a href="http://www.nnseek.com/e/rec.audio.highend/decline_of_civilzation_re_vinyl_revival_204838201t.html"><b>3</b> Comments</a></td>
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        <td><a href="http://www.nnseek.com/e/rec.audio.highend/decline_of_civilzation_re_vinyl_revival_204838201m.html">Reply</a></td>
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	<pubDate>Fri, 19 Sep 2008 15:37:03 PDT</pubDate>
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	<title><![CDATA[VPI 19Jr. Cartridge replacement/calibration help]]></title>
	<guid>http://www.nnseek.com/e/rec.audio.highend/vpi_19jr_cartridge_replacement_calibration_help_204340281t.html</guid>
	<link>http://www.nnseek.com/e/rec.audio.highend/vpi_19jr_cartridge_replacement_calibration_help_204340281t.html</link>
	<description><![CDATA[I need to upgrade/change the cartridge in my VPI 19 jr turntable.<br>I'll probably replace the aging moving magnet [it's a too long-ago<br>brand,  I hesitate to name it] with a basic or middle- end Dynavector<br>or comparable brand.  My venerable Macinstosh amp has been replaced by<br>the solid state Creek 5350SE.  Any suggestions re cartridge<br>replacement?<br><br>More important: Because I've had difficulties with installing and<br>calibrating a cartridge,  I want to find someone to do it -<br>incidentally, the head on the (Rega) arm is not detachable.  I'm in<br>NYC and after years of experience am wary of dealers & their "service"<br>depts.  Any suggestions re dealer or other service sources?  [VPI of<br>course no longer produces or services the 19 jr.]  Thanks for help.<br>Max.<br>
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        <td>Posted In: <a href="http://www.nnseek.com/e/rec.audio.highend/">rec.audio.highend</a></td>
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        <td><a href="http://www.nnseek.com/e/rec.audio.highend/vpi_19jr_cartridge_replacement_calibration_help_204340281t.html">no comments</a></td>
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        <td><a href="http://www.nnseek.com/e/rec.audio.highend/vpi_19jr_cartridge_replacement_calibration_help_204340281m.html">Reply</a></td>
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	<pubDate>Wed, 17 Sep 2008 15:32:13 PDT</pubDate>
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	<title><![CDATA[TV cable ground lift.]]></title>
	<guid>http://www.nnseek.com/e/rec.audio.highend/tv_cable_ground_lift_204230457t.html</guid>
	<link>http://www.nnseek.com/e/rec.audio.highend/tv_cable_ground_lift_204230457t.html</link>
	<description><![CDATA[A while back, there was a discussion about the hum that leaks in to stereo <br>gear from the TV cable. Several people mentioned a device that goes in <br>line with the TV cable to lift the ground, eliminating the hum.<br><br>Would some nice person please re-post the info on that device? The name of <br>it, where it can be obtained? (on-line or otherwise)<br><br>Many thanks in advance,<br>Greg.<br>-- <br>           Greg Grainger                   grainger(at)<a href="http://vex.net" rel="nofollow" class="url" target="_blank">vex.net</a><br><br>     'What a world of gammon and spinach it is, though, ain't it?'<br>                                             - Miss Mowcher<br><br>
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        <td>Posted In: <a href="http://www.nnseek.com/e/rec.audio.highend/">rec.audio.highend</a></td>
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        <td><a href="http://www.nnseek.com/e/rec.audio.highend/tv_cable_ground_lift_204230457t.html"><b>5</b> Comments</a></td>
        <td width="20">&nbsp;</td>
        <td><a href="http://www.nnseek.com/e/rec.audio.highend/tv_cable_ground_lift_204230457m.html">Reply</a></td>
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	<pubDate>Wed, 17 Sep 2008 06:49:04 PDT</pubDate>
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	<title><![CDATA[message anew (revised), plain text; sorry]]></title>
	<guid>http://www.nnseek.com/e/rec.audio.highend/message_anew_revised_plain_text_sorry_204127033t.html</guid>
	<link>http://www.nnseek.com/e/rec.audio.highend/message_anew_revised_plain_text_sorry_204127033t.html</link>
	<description><![CDATA[;I need to upgrade/change the cartridge in my VPI 19 jr turntable.<br>I'll probably replace the aging moving magnet [it's a too long-ago<br>brand,  I hesitate to name it] with a basic or middle- end Dynavector<br>or comparable brand.  My venerable Macinstosh amp has been replaced by<br>the solid state Creek 5350SE.  Any suggestions re cartridge<br>replacement?<br><br>More important: Because I've had difficulties with installing and<br>calibrating a cartridge,  I want to find someone to do it -<br>incidentally, the head on the (Rega) arm is not detachable.  I'm in<br>NYC and after years of experience am wary of dealers & their "service"<br>depts.  Any suggestions re dealer or other service sources?  [VPI of<br>course no longer produces or services the 19 jr.]  Thanks for help.<br>Max.<br><br>
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        <td>Posted In: <a href="http://www.nnseek.com/e/rec.audio.highend/">rec.audio.highend</a></td>
        <td width="20">&nbsp;</td>
        <td><a href="http://www.nnseek.com/e/rec.audio.highend/message_anew_revised_plain_text_sorry_204127033t.html">no comments</a></td>
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        <td><a href="http://www.nnseek.com/e/rec.audio.highend/message_anew_revised_plain_text_sorry_204127033m.html">Reply</a></td>
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	<pubDate>Tue, 16 Sep 2008 16:54:14 PDT</pubDate>
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	<title><![CDATA[Re: Audiophiles gone wild]]></title>
	<guid>http://www.nnseek.com/e/rec.audio.highend/audiophiles_gone_wild_204120889t.html</guid>
	<link>http://www.nnseek.com/e/rec.audio.highend/audiophiles_gone_wild_204120889t.html</link>
	<description><![CDATA[I wouldn't be surprised if the optimum sound is achieved when nobody<br>is in the room.  All those unwanted reflections and disruptions to the<br>sound waves.....<br><br>;-)<br><br>On 14 Sep 2008 14:24:32 GMT, Steven Sullivan <ssully@<a href="http://panix.com" rel="nofollow" class="url" target="_blank">panix.com</a>> wrote:<br><br>><a href="http://www.stereopal.com/HomeVisit/William.htm" rel="nofollow" class="url" target="_blank">http://www.stereopal.com/HomeVisit/William.htm</a><br>><br>>highlights:  <br>>1) string instruments used a vocal enhancers ("This practice actually has a cult following among audiophiles from Hong Kong")<br>>2) belt-driven turntable whose motor is six feet away from its platter<br>>3) egg crates as bass diffusors<br>>4) sheer ugliness of the room<br><br>---<br><br>Rob Tweed<br>Company: M/Gateway Developments Ltd <br>Registered in England: No 3220901<br>Registered Office: 58 Francis Road,Ashford, Kent TN23 7UR<br><br>Web-site: <a href="http://www.mgateway.com" rel="nofollow" class="url" target="_blank">http://www.mgateway.com</a><br>
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        <td>Posted In: <a href="http://www.nnseek.com/e/rec.audio.highend/">rec.audio.highend</a></td>
        <td width="20">&nbsp;</td>
        <td><a href="http://www.nnseek.com/e/rec.audio.highend/audiophiles_gone_wild_204120889t.html">no comments</a></td>
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        <td><a href="http://www.nnseek.com/e/rec.audio.highend/audiophiles_gone_wild_204120889m.html">Reply</a></td>
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	<pubDate>Tue, 16 Sep 2008 15:39:55 PDT</pubDate>
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