> There are 2 ways to deal with telecine houses. You can A: either have
> a ton of meetings, get a list of their requirements, do what they want
> (and they'll still ask for changes a week into the show) or B: Don't
> talk to them at all in advance and give them whatever format YOU
> desire at wrap on the first production day. They will either figure
> it out or lose the account. It's in their benefit to figure it out.
> Their main issue isn't transferring the audio into their system, it's
> finding a way to do it as quickly and automatically (and cheaply) as
> possible. Our responsibility is to the production, not to the
> transfer houses. I'd go with plan 'B'.
> Billy Sarokin