> Rick O'Shea wrote:
>>> Cuntry is traditional Country & Western filtered through the jew.
>> Shorn of traditional attitudes and remade in politically correct,
>> multicultural mode. In Cuntry, niggers and mexicans are always welcome,
>> and the big woman is never wrong.
>>>
>>> Cuntry is performed by the same good ol' boys, only now they're
>> dressed by jews and perfumed by poofters.
>>>
>>> "Some People Change" by duo Montgomery Gentry is typical of the
>>> Cuntry
>> genre. It's country-against-racism in theme. The proud old ways and
>> attitudes are abandoned as "hate," perfectly in line with the going
>> line, as set by the ADL, whose goal is to have the same message coming
>> from a thousand different mouths.
>>>
>>> "Some People Change" was recorded first by Kenny Chesney, so this
>> isn't even its first go-round.
>>>
>>> Following gives some lyrics and information about the writers.
>>>
>>>
>>> Since the release of Tattoos & Scars in 1999, Eddie Montgomery and
>> Troy Gentry have been making consistently fine country-rock records and
>> videos (the latter thanks in large part to the wonderful director Trey
>> Fanjoy). While their albums translate to CMT and GAC - and of course to
>> the Billboard charts - the duo has never been comfortable making one
>> kind of recording. They dig deep with their producers - in this case
>> Mark Wright is primary - to find the best songs and let them rip.
>> Guitars roar, wail, and whisper, and Montgomery Gentry's wonderfully
>> contrasting voices and passionate, down-home delivery tie them to the
>> great traditions of both rock and country. They've consistently sent out
>> a message of tolerance - but they demanded to be tolerated as well. (Do
>> we ever need that message in a nation as deeply divided as the United
>> States in 2006.) Each successive album has been a hit, and deservedly
>> so. Some People Change, however, is a step above.
>>>
>>> These two fellas have a way with a song. Kenny Chesney was the first
>> to record the wonderful "Some People Change" by Michael Dulaney/Jason
>> Sellers/Neil Thrasher. Given that it's a great song, nobody could do a
>> bad job with it, and Chesney's was better than decent. But it simply
>> turns to gray in lieu of the treatment given it by Montgomery Gentry,
>> with a blend of acoustic and electric guitars that wind together before
>> Montgomery's deep baritone lays out the contrast in the lyric: "His ole
>> man was a rebel yeller/Bad boy to the bone, he'd say/Can't trust that
>> feller/He'd judge 'em by the tone/Of their skin...." A wah-wah peddle
>> floats atmospherically and a synth slips in gently and Montgomery
>> continues: "He was raised to think like his dad/Narrow mind, fulla
>> hate/On the road to nowhere fast/Until the grace of God got in the
>> way/And he saw the light and hit his knees and cried and said a
>> prayer/Rose up a brand new man and left the old one right there...." The
>> guitars build to an almost unbearable tension and finally break with a
>> B-3 announcing Gentry's arrival on the refrain, which is an anthem:
>> "Here's to the strong/Thanks to the brave/Don't give up hope/Some people
>> change/Against all odds/Against the grain/Love finds a way/Some people
>> change...." Simply put, the song addresses race, class, religion, and
>> (later) addiction, as well as hope, tolerance, and the willingness to
>> believe redemption is possible in any situation. When was the last time
>> a country recording addressed topics like this in a single tune that
>> opened an album? When a gospel choir enters near the end to join the
>> pair on the refrain with soloing guitars and tight, clipped drums, it
>> becomes transcendent. It's one of those tunes that defines something
>> that lies at the heart of what is good about Americans. True to form,
>> however, Montgomery Gentry aren't about to have their music co-opted by
>> anybody - left or right - and the very next cut, "Hey Country," quotes
>> from Lynyrd Skynyrd, Hank Jr., Marshall Tucker, funk, and hip-hop, and
>> is a true redneck rabble-rouser. Killer metal guitars, banjos, funky
>> basslines, and chanted choruses all war with each other and finally come
>> to an equal level to make this the best tune that's never been on rock &
>> roll radio. "Lucky Man" is a pure country song, and it updates "I Ain't
>> Got It All That Bad" from You Do Your Thing. Its protagonist -
>> Montgomery in this case - is older, wiser, and even more grateful. Here
>> again, it's a message tune, but one that is poignant no matter what
>> color collar you wear, whether or not you support the President of the
>> United States, and whatever religion you choose - including none at all.
>>>
>>> In other words, it's everything to everybody, and nothing specific,
>> nothing demarcated. Just pablum put out by people afraid to take a position.
>>>
>>> When was the last time a country recording addressed topics like this
>>>
>> in a single tune that opened an album?
>>>
>>> Better ask, which Cuntry singer hasn't rocked against racism? Hasn't
>> celebrated "tolerance"? Hasn't incorporated niggers into its videos?
>> Doesn't pretend we can all just get along?
>>>
>>> Bit more on the song/writers:
>>>
>>>
>>> Chesney cut Michael Dulaney-Jason Sellers-Neil Thrasher penned Some
>> People Change - a new south reflection.
>>>
>>> ...
>>>
>>>
>>> Not dramatic as Mark David Manders Klan parody Three Sheets To The
>> Wind but likely to be heard by millions more.
>>>
>>> Gentry and bud claim they don't try to candy-coat anything.
>>>
>>> "Redder Than That" cranks the volume a notch or two. It's a high
>> school reunion song. The song's message is simple: people don't really
>> change much, despite the years. They really are who they really were.
>> Marital merriment comes with "A Man's Job". Watching a romantic
>> dalliance from the losing husband's perspective, the tune is comical;
>> but you can't help grasp the truth of familiar suburban secrets of older
>> women and keen, younger men.
>>>
>>> In their world rednecks exist, but niggers don't. Just how the jews
>> see it. You might think that rednecks and jews would see things
>> differently, but that's just your prejudice doing your thinking for you.
>>>
>>> I remain unaware of any true country music in which the experience
>>> of,
>> say, the White humans forcibly integrated with niggers is reflected. Or
>> the White man who's had his kids stolen from him by an evil woman
>> working with a corrupt jewish family court judge.
>>>
>>> Some people change, and some people don't.
>>>
>>> The sellout be with us always.
>
> Great post! In addition, many male cuntry singers are quite chubby.
>
> ted
That Mongomery Gentry is a nice fat PC asswipe.
ted
