Rick O'Shea wrote:
>> Cuntry is traditional Country & Western filtered through the jew.
> Shorn of traditional attitudes and remade in politically correct,
> multicultural mode. In Cuntry, niggers and mexicans are always welcome,
> and the big woman is never wrong.
>>
>> Cuntry is performed by the same good ol' boys, only now they're
> dressed by jews and perfumed by poofters.
>>
>> "Some People Change" by duo Montgomery Gentry is typical of the
>> Cuntry
> genre. It's country-against-racism in theme. The proud old ways and
> attitudes are abandoned as "hate," perfectly in line with the going
> line, as set by the ADL, whose goal is to have the same message coming
> from a thousand different mouths.
>>
>> "Some People Change" was recorded first by Kenny Chesney, so this
> isn't even its first go-round.
>>
>> Following gives some lyrics and information about the writers.
>>
>>
>> Since the release of Tattoos & Scars in 1999, Eddie Montgomery and
> Troy Gentry have been making consistently fine country-rock records and
> videos (the latter thanks in large part to the wonderful director Trey
> Fanjoy). While their albums translate to CMT and GAC - and of course to
> the Billboard charts - the duo has never been comfortable making one
> kind of recording. They dig deep with their producers - in this case
> Mark Wright is primary - to find the best songs and let them rip.
> Guitars roar, wail, and whisper, and Montgomery Gentry's wonderfully
> contrasting voices and passionate, down-home delivery tie them to the
> great traditions of both rock and country. They've consistently sent out
> a message of tolerance - but they demanded to be tolerated as well. (Do
> we ever need that message in a nation as deeply divided as the United
> States in 2006.) Each successive album has been a hit, and deservedly
> so. Some People Change, however, is a step above.
>>
>> These two fellas have a way with a song. Kenny Chesney was the first
> to record the wonderful "Some People Change" by Michael Dulaney/Jason
> Sellers/Neil Thrasher. Given that it's a great song, nobody could do a
> bad job with it, and Chesney's was better than decent. But it simply
> turns to gray in lieu of the treatment given it by Montgomery Gentry,
> with a blend of acoustic and electric guitars that wind together before
> Montgomery's deep baritone lays out the contrast in the lyric: "His ole
> man was a rebel yeller/Bad boy to the bone, he'd say/Can't trust that
> feller/He'd judge 'em by the tone/Of their skin...." A wah-wah peddle
> floats atmospherically and a synth slips in gently and Montgomery
> continues: "He was raised to think like his dad/Narrow mind, fulla
> hate/On the road to nowhere fast/Until the grace of God got in the
> way/And he saw the light and hit his knees and cried and said a
> prayer/Rose up a brand new man and left the old one right there...." The
> guitars build to an almost unbearable tension and finally break with a
> B-3 announcing Gentry's arrival on the refrain, which is an anthem:
> "Here's to the strong/Thanks to the brave/Don't give up hope/Some people
> change/Against all odds/Against the grain/Love finds a way/Some people
> change...." Simply put, the song addresses race, class, religion, and
> (later) addiction, as well as hope, tolerance, and the willingness to
> believe redemption is possible in any situation. When was the last time
> a country recording addressed topics like this in a single tune that
> opened an album? When a gospel choir enters near the end to join the
> pair on the refrain with soloing guitars and tight, clipped drums, it
> becomes transcendent. It's one of those tunes that defines something
> that lies at the heart of what is good about Americans. True to form,
> however, Montgomery Gentry aren't about to have their music co-opted by
> anybody - left or right - and the very next cut, "Hey Country," quotes
> from Lynyrd Skynyrd, Hank Jr., Marshall Tucker, funk, and hip-hop, and
> is a true redneck rabble-rouser. Killer metal guitars, banjos, funky
> basslines, and chanted choruses all war with each other and finally come
> to an equal level to make this the best tune that's never been on rock &
> roll radio. "Lucky Man" is a pure country song, and it updates "I Ain't
> Got It All That Bad" from You Do Your Thing. Its protagonist -
> Montgomery in this case - is older, wiser, and even more grateful. Here
> again, it's a message tune, but one that is poignant no matter what
> color collar you wear, whether or not you support the President of the
> United States, and whatever religion you choose - including none at all.
>>
>> In other words, it's everything to everybody, and nothing specific,
> nothing demarcated. Just pablum put out by people afraid to take a position.
>>
>> When was the last time a country recording addressed topics like this
>>
> in a single tune that opened an album?
>>
>> Better ask, which Cuntry singer hasn't rocked against racism? Hasn't
> celebrated "tolerance"? Hasn't incorporated niggers into its videos?
> Doesn't pretend we can all just get along?
>>
>> Bit more on the song/writers:
>>
>>
>> Chesney cut Michael Dulaney-Jason Sellers-Neil Thrasher penned Some
> People Change - a new south reflection.
>>
>> ...
>>
>>
>> Not dramatic as Mark David Manders Klan parody Three Sheets To The
> Wind but likely to be heard by millions more.
>>
>> Gentry and bud claim they don't try to candy-coat anything.
>>
>> "Redder Than That" cranks the volume a notch or two. It's a high
> school reunion song. The song's message is simple: people don't really
> change much, despite the years. They really are who they really were.
> Marital merriment comes with "A Man's Job". Watching a romantic
> dalliance from the losing husband's perspective, the tune is comical;
> but you can't help grasp the truth of familiar suburban secrets of older
> women and keen, younger men.
>>
>> In their world rednecks exist, but niggers don't. Just how the jews
> see it. You might think that rednecks and jews would see things
> differently, but that's just your prejudice doing your thinking for you.
>>
>> I remain unaware of any true country music in which the experience
>> of,
> say, the White humans forcibly integrated with niggers is reflected. Or
> the White man who's had his kids stolen from him by an evil woman
> working with a corrupt jewish family court judge.
>>
>> Some people change, and some people don't.
>>
>> The sellout be with us always.
Great post! In addition, many male cuntry singers are quite chubby.
ted
