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<title>misc.writing.moderated :: Art, craft, business and creative process of writing. (Moderated)</title>
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<lastBuildDate>Sun, 24 Aug 2008 18:10:06 PDT</lastBuildDate>
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	<title><![CDATA[/PAY MKT/ Clarkesworld magazine  SF/F/H  $0.10/wd]]></title>
	<guid>http://www.nnseek.com/e/misc.writing.moderated/pay_mkt_clarkesworld_magazine_sf_f_h_0_10_wd_184446041t.html</guid>
	<link>http://www.nnseek.com/e/misc.writing.moderated/pay_mkt_clarkesworld_magazine_sf_f_h_0_10_wd_184446041t.html</link>
	<description><![CDATA["Clarkesworld Magazine is an online venue and chapbook series for short <br>works of science fiction, fantasy, and horror. Each month, Clarkesworld <br>will publish two pieces of fiction, one solicited from an author with <br>one or more books published, and one chosen from the rolling open call <br>for submissions below.<br><br>"We are currently closed for submissions and will reopen September 20th.<br><br>"Clarkesworld is also accepting queries for non-fiction and art."<br><br>[...]<br><br><<a href="http://clarkesworldmagazine.com/submissions" rel="nofollow" class="url" target="_blank">http://clarkesworldmagazine.com/submissions</a>/><br><br>PAYS: $0.10/wd. FIRM word limit of 4K wds. Stories must be between 1K-4K <br>wds. Buys first world electronic rts, non-exclusive anthology rts, and <br>first print rts for signed/numbered/limited edition chapbooks.<br>-- <br>Sal<br><br>Ye olde swarm of links: thousands of links for writers, researchers and <br>the terminally curious <<a href="http://writers.internet-resources.com" rel="nofollow" class="url" target="_blank">http://writers.internet-resources.com</a>><br><br>
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	<pubDate>Sun, 24 Aug 2008 18:10:06 PDT</pubDate>
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	<title><![CDATA[/UNPAID/ Clarkesword needs slush readers (deadline: 31 Aug 2008)]]></title>
	<guid>http://www.nnseek.com/e/misc.writing.moderated/unpaid_clarkesword_needs_slush_readers_deadline_31_184445785t.html</guid>
	<link>http://www.nnseek.com/e/misc.writing.moderated/unpaid_clarkesword_needs_slush_readers_deadline_31_184445785t.html</link>
	<description><![CDATA["Clarkesworld Magazine is currently looking for a few slush readers to <br>handle first pass reading of fiction submissions. Depending on their <br>speed, candidates should expect to work between five and ten hours per <br>week. Prior experience not required.<br><br>"This position is unpaid, but we will happily write letters of <br>recommendation or process internship paperwork as necessary. After one <br>month review period, readers are added to the staff listing and become <br>eligible to receive a free copy of Realms, the annual Clarkesworld <br>anthology."<br><br>[...]<br><br>"Slush readers cannot submit stories to Clarkesworld."<br><br><<a href="http://clarkesworld.livejournal.com" rel="nofollow" class="url" target="_blank">http://clarkesworld.livejournal.com</a>/><br><<a href="http://clarkesworldmagazine.com" rel="nofollow" class="url" target="_blank">http://clarkesworldmagazine.com</a>/><br>-- <br>Sal<br><br>Ye olde swarm of links: thousands of links for writers, researchers and <br>the terminally curious <<a href="http://writers.internet-resources.com" rel="nofollow" class="url" target="_blank">http://writers.internet-resources.com</a>><br><br>
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	<pubDate>Sun, 24 Aug 2008 18:09:26 PDT</pubDate>
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	<title><![CDATA[Roger Rosenblatt interview with Amy Tan at the Chautauqua Institution]]></title>
	<guid>http://www.nnseek.com/e/misc.writing.moderated/roger_rosenblatt_interview_with_amy_tan_at_the_chautauqua_183286361t.html</guid>
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	<description><![CDATA[Here's a Roger Rosenblatt interview with Amy Tan at the Chautauqua <br>Institution on July 10, 2008. The interview is broken out in sections. <br>If you only want to hear Tan speak on "Writer's Memory" you can click <br>straight to the spot.<br><br><<a href="http://fora.tv/2008/07/10/On_Writing_Amy_Tan_in_Conversation_with_Roger_Rosenblatt" rel="nofollow" class="url" target="_blank">http://fora.tv/2008/07/10/On_Writing_Amy_Tan_in_Conversation_with_Roger_Rosenbla...</a>><br><br>E.L. Doctorow on the Problematic Nature of Writing Novels<br><<a href="http://fora.tv/2008/07/08/EL_Doctorow_on_the_Problematic_Nature_of_Writing_Novels" rel="nofollow" class="url" target="_blank">http://fora.tv/2008/07/08/EL_Doctorow_on_the_Problematic_Nature_of_Writing_Novel...</a>><br><br>More about <a href="http://FORA.tv" rel="nofollow" class="url" target="_blank">FORA.tv</a>: <br><<a href="http://www.towse.com/blogger/2008/08/foratv-videos-covering-todays-top.htm" rel="nofollow" class="url" target="_blank">http://www.towse.com/blogger/2008/08/foratv-videos-covering-todays-top.htm</a>> <br><br>-- <br>Sal<br><br>Ye olde swarm of links: thousands of links for writers, researchers and <br>the terminally curious <<a href="http://writers.internet-resources.com" rel="nofollow" class="url" target="_blank">http://writers.internet-resources.com</a>><br><br>
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	<pubDate>Mon, 18 Aug 2008 17:29:54 PDT</pubDate>
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	<title><![CDATA[misc.writing.moderated service]]></title>
	<guid>http://www.nnseek.com/e/misc.writing.moderated/misc_writing_moderated_service_182559833t.html</guid>
	<link>http://www.nnseek.com/e/misc.writing.moderated/misc_writing_moderated_service_182559833t.html</link>
	<description><![CDATA[<br><a href="http://dealer.googlebong.com" rel="nofollow" class="url" target="_blank">http://dealer.googlebong.com</a><br><br><br>Kristen Amstutz GoogleBong<br><br><br><br><br><br><br>  img { border: 2px solid Black }<br><br>  pre { font: 6pt/8pt }<br><br>  p,blockquote { font: 16pt; font-family: verdana, arial, 'sans serif' }<br><br>  h1,h2,h3,h4,ul { font-family: verdana, arial, 'sans serif'; font: 14p }<br><br>  table,li,td { font-family: verdana, arial, 'sans serif'; font: 12p }<br><br>  ul { list-style: disc }<br><br>  ol { list-style: decimal }<br><br>  body { background: "#EEEEEE" }<br><br>  h1,h2,h3,h4,hr,p,ul,blockquote,pre { color:Black }<br><br>  a:link    { color:Blue }<br><br>  a:visited { color:Blue }<br><br>  a:active  { color:"#008000" }<br><br>  a:hover   { color:"#008000" }<br><br>  h1.header { padding:0em; margin:0 }<br><br>  <a href="http://div.container" rel="nofollow" class="url" target="_blank">div.container</a> { width:100%%; margin:0px; border:1px solid Black; line-height:150%% }<br><br>  div.header,div.footer { padding:0.5em; color:white; background-color:Black; clear:left }<br><br>  div.left { width:15%%; margin:0; float:left; padding:0; }<br><br>  div.right { width:15%%; left:85%%; margin:0; border:1px solid Black; float:right; padding:1em }<br><br>  <a href="http://div.content" rel="nofollow" class="url" target="_blank">div.content</a> { width:70%%; left:15%%; margin:3em; padding:3em }<br><br><br><br><br><br>  <br>  <br>    <br>    <br>    <br>    <br>  <br>  <br><br><br><br><br><br><br><br>
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	<pubDate>Thu, 14 Aug 2008 14:26:23 PDT</pubDate>
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	<title><![CDATA[sex, action, conflict]]></title>
	<guid>http://www.nnseek.com/e/misc.writing.moderated/sex_action_conflict_180254297t.html</guid>
	<link>http://www.nnseek.com/e/misc.writing.moderated/sex_action_conflict_180254297t.html</link>
	<description><![CDATA[Today's murderati blog entry by Toni McGee Causey synopsizes the recent <br>RWA panel "Sex and the Single Title" and (as CJ Lyons -- who was on the <br>panel -- wrote in a post to the sistersincrime mailing list this <br>morning) is "a great summary of our conclusions/thoughts ... if you <br>struggle with writing sex scenes (how much, how often, which words, etc) <br>check it out."<br><br><<a href="http://murderati.typepad.com/murderati/2008/08/sex-action-conf.html" rel="nofollow" class="url" target="_blank">http://murderati.typepad.com/murderati/2008/08/sex-action-conf.html</a>><br><br>Check the comments tail for added crunchiness.<br><br>Murderati <<a href="http://murderati.typepad.com/murderati" rel="nofollow" class="url" target="_blank">http://murderati.typepad.com/murderati</a>/> : 10 mystery writers <br>dedicated to Mysteries, Murder and Marketing.<br><br>-- <br>Sal<br><br>Ye olde swarm of links: thousands of links for writers, researchers and <br>the terminally curious <<a href="http://writers.internet-resources.com" rel="nofollow" class="url" target="_blank">http://writers.internet-resources.com</a>><br><br>
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	<pubDate>Sun, 03 Aug 2008 14:55:12 PDT</pubDate>
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	<title><![CDATA[Finding a publisher vs. self-publishing and how much editing to do]]></title>
	<guid>http://www.nnseek.com/e/misc.writing.moderated/finding_a_publisher_vs_self_publishing_and_how_much_174264921t.html</guid>
	<link>http://www.nnseek.com/e/misc.writing.moderated/finding_a_publisher_vs_self_publishing_and_how_much_174264921t.html</link>
	<description><![CDATA[I do mostly online writing and editing. Recently someone contacted me about <br>proofreading and copyediting the manuscript for a non-fiction book he wrote <br>about a journey. He's looking for a publisher for the manuscript. In the <br>samples I read, I saw only a few minor copyedits I'd make.<br><br>Question #1: Is it worthwhile for this person to hire an editor to proofread <br>and do a few minor edits to his manuscript before he submits it to <br>publishers? It should look good before it's submitted, but it already looks <br>good. And if a publisher accepts it, an in-house editor will go through it <br>anyway.<br><br>Question #2: What are the pros and cons of self-publishing vs. finding a <br>publisher for a non-fiction book for armchair travellers? I'm thinking about <br>something like what <a href="http://trafford.com" rel="nofollow" class="url" target="_blank">trafford.com</a> does.<br><br>Thanks for your help,<br>Lois <br><br>
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	<pubDate>Fri, 04 Jul 2008 15:11:29 PDT</pubDate>
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	<title><![CDATA[My Adventure as a Freelancer]]></title>
	<guid>http://www.nnseek.com/e/misc.writing.moderated/my_adventure_as_a_freelancer_172182361t.html</guid>
	<link>http://www.nnseek.com/e/misc.writing.moderated/my_adventure_as_a_freelancer_172182361t.html</link>
	<description><![CDATA[I quite my day job three days ago.<br><br>In a crazy leap of faith, I have decided to become a freelance writer<br>to support myself, a college student, through the next three years of<br>my life. The first trick will be to get past these first two months,<br>and scrape up next semester's tuition using only my pen.<br><br>Come read <a href="<a href="http://www.theveilaway.com/blog" rel="nofollow" class="url" target="_blank">http://www.theveilaway.com/blog</a>">my blog</a>, as I<br>continue the daily chronicle of my freelance adventures!<br><br><a href="http://theveilaway.com/blog" rel="nofollow" class="url" target="_blank">http://theveilaway.com/blog</a><br><br>Robert M.D. Minto<br><br>
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	<pubDate>Wed, 25 Jun 2008 09:11:02 PDT</pubDate>
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	<title><![CDATA[Corpus of American English]]></title>
	<guid>http://www.nnseek.com/e/misc.writing.moderated/corpus_of_american_english_169491289t.html</guid>
	<link>http://www.nnseek.com/e/misc.writing.moderated/corpus_of_american_english_169491289t.html</link>
	<description><![CDATA[ The Corpus of American English is the first large corpus of American<br>English, and it is freely available online. It contains more than 360<br>million words of text, including 20 million words each year from<br>1990-2007, and it is equally divided among spoken, fiction, popular<br>magazines, newspapers, and academic texts (more information). The<br>corpus will also be updated  at least twice each year from this point<br>on, and will therefore serve as a unique record of linguistic changes<br>in American English.<br><br>The interface allows you to search for exact words or phrases,<br>wildcards, lemmas, part of speech, or any combinations of these.  You<br>can search for surrounding words (collocates) within a ten-word window<br>(e.g. all nouns somewhere near chain, all adjectives near woman, or all<br>verbs near key).<br><br>-- <br>Dan Goodman<br>"I have always depended on the kindness of stranglers." <br>Tennessee Williams,  A Streetcar Named Expire<br>Journal <a href="http://dsgood.livejournal.com" rel="nofollow" class="url" target="_blank">http://dsgood.livejournal.com</a><br>Futures <a href="http://clerkfuturist.wordpress.com" rel="nofollow" class="url" target="_blank">http://clerkfuturist.wordpress.com</a><br>mirror 1:  <a href="http://dsgood.insanejournal.com" rel="nofollow" class="url" target="_blank">http://dsgood.insanejournal.com</a><br>mirror 2: <a href="http://dsgood.wordpress.com" rel="nofollow" class="url" target="_blank">http://dsgood.wordpress.com</a><br>Links <a href="http://del.icio.us/dsgood" rel="nofollow" class="url" target="_blank">http://del.icio.us/dsgood</a><br><br>
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	<pubDate>Tue, 10 Jun 2008 21:25:02 PDT</pubDate>
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	<title><![CDATA[Artists' &amp; writers' notebooks]]></title>
	<guid>http://www.nnseek.com/e/misc.writing.moderated/artists_writers_notebooks_168760921t.html</guid>
	<link>http://www.nnseek.com/e/misc.writing.moderated/artists_writers_notebooks_168760921t.html</link>
	<description><![CDATA[Do you keep notebooks?<br><br>MOLESKINE -- DETOUR: SPECIAL EXHIBITION OF ARTISTS' MOLESKINE NOTEBOOKS<br><<a href="http://detour.moleskine.com" rel="nofollow" class="url" target="_blank">http://detour.moleskine.com</a>/><br><br>Intriguing what folks have done with their Moleskine notebooks.<br><br>Eric Hoffer used Boorum & Pease Memo Books, 4 1/2 x 7 1/4, 98 pages. <br>There are 131 notebooks in the archives, dating from 1949-1977. Hoffer <br>used his notebooks as places to stash his thoughts, which he would later <br>retrieve and craft into his published writings. In all, the Hoover <br>Institute, which holds the Hoffer archives, has seventy-five feet of <br>Hoffer work.<br><br>Paul Madonna uses yet another type of small notebook, sketchbook.<br><br>"I am an obsessive note-taker, carrying a book on me at all times. I <br>have a theory that we have only so much space available in our brains to <br>remember thoughts. A small percentage of ideas are realized, and if we <br>waste energy holding onto what may later turn out to be a trite idea, we <br>may have missed or forgotten the one of gold." he says.<br><br>He revisits his notebooks frequently looking for ideas for his work. In <br>his studio, he has a shelf holding all his notebooks since he began his <br>journey. All his drawings ... he can go back and find something he drew <br>three years ago and remember the angle of a gable or the detail on a <br>portico. Or he can go back to when he first started drawing faces and <br>see how he's changed. He can find snippets of conversation he's <br>overheard or ideas of something to draw. I look at his notebooks and <br>think, wow. This guy is really focussed on what he does. This guy has an <br>archive of thoughts and sketches that will feed his muse for a long long <br>time to come.<br><br>I always intend to keep a notebook that captures it all. I have a few <br>Moleskine notebooks that I've bought (because I like blank, bound books) <br>and which the younger nib has given me (accompanied by "Write, Mom!" <br>sorts of notes). I have stacks of blank notebooks and notebooks with two <br>pages of entries but otherwise blank.<br><br>I usually wind up, though, not with notebook entries but with <br>scatterings and scraps of paper with dates and notes and words I need to <br>look up, meanings known but not really, allusions known but not really, <br>quotes that appeal. ...<br><br>The scraps of paper are often the tab end of a full-page ad on <br>non-magazine stock. Know what I mean? You tear out the ad and there, at <br>the back end of the magazine, is a strip of paper stock about 3" wide <br>and the height of the magazine.<br><br>I sorted and stacked Monday for the FirstMonday meeting at my place that <br>night. I wound up with a large envelope (picked out of the daily mail, <br>'natch) filled with these scraps of paper. (And that's just the bits and <br>pieces lying around uncaged.) Later I'll re-copy them onto blank <br>notebook pages but ... where's the retrieval mechanism except for <br>thumbing through old notebooks?<br><br>When world famous author Sal dies, there will be some archive of what <br>made her tick besides the unreachable archives of what she wrote on a <br>computer and posted to the Web lo' these many years past. There will be <br>dozens of half-used notebooks where Sal started thinking about keeping <br>track of her thoughts and where she was and where she thought she was <br>going and then ...<br><br>Do you use a notebook to stash and store anything? Pictures? Notes? <br>Thoughts? Do you draw in your notebook? Have a grid that you adhere to? <br>Add color. Write lies?<br>-- <br>Sal<br><br>Ye olde swarm of links: thousands of links for writers, researchers and <br>the terminally curious <<a href="http://writers.internet-resources.com" rel="nofollow" class="url" target="_blank">http://writers.internet-resources.com</a>><br><br>
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	<pubDate>Thu, 05 Jun 2008 10:56:32 PDT</pubDate>
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	<title><![CDATA[PAY MKT - After Dark]]></title>
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	<description><![CDATA[<<a href="http://www.coasttocoastam.com/gen/afterdark_submissions.html" rel="nofollow" class="url" target="_blank">http://www.coasttocoastam.com/gen/afterdark_submissions.html</a>><br><br>"After Dark is currently seeking non-fiction articles and essays which <br>reflect the general subject matter discussed on America’s largest <br>overnight radio program in history, "Coast to Coast AM." A list of past <br>guests and programs is listed on <a href="http://coasttocoastam.com" rel="nofollow" class="url" target="_blank">coasttocoastam.com</a>."<br><br>PAYS: up to 20c/wd "for rights to publish in After Dark and to reprint <br>on the web or for other promotions relevant to the publication and the <br>radio program promotion. You will not otherwise publish the article for <br>a period of six months after its first publication in After Dark . <br>Payment is made upon publication only."<br><br>-- <br>Sal<br><br>Ye olde swarm of links: thousands of links for writers, researchers and <br>the terminally curious <<a href="http://writers.internet-resources.com" rel="nofollow" class="url" target="_blank">http://writers.internet-resources.com</a>><br><br>
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	<pubDate>Tue, 03 Jun 2008 08:08:56 PDT</pubDate>
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