> On May 10, 9:46�pm, bookb...@
yahoo.com wrote:
>
>
>
>
>
>> I realize that fustian antics at h.l.a.s. are typical of some at play
>> here, but doubt that it can be said this and other off-the-wall
>> behaviors are sociopathic.
>
>> Here's what once source,
athttp://www.mcafee.cc/Bin/sb.html, says are
>> traits of the sociopath. �I'm listing only those that the source
>> labels "Other Related Qualities." �My comments are in brackets.
>
>> (quote)
>> 1. �Contemptuous of those who seek to understand them.
>
>> [After being refuted numerous times about aspects of alternate
>> Shakespeare attribution issues, it seems obvious that a tone of
>> "contemptuousness" is necessary to keep a semblance of face at
>> h.l.a.s., although in fact most are ex-posters now.
>
>> 2. �Does not perceive that anything is wrong with them.
>
>> [Well, we all have our idiosyncrasies, so that's okay. �Being a little
>> dotty is perhaps necessary to survive what's wrong with everyone else.
>> Shakespeare study is a sort of refuge into another world full of
>> meaningful existential issues that keep us sane, maybe.]
>
>> 3. �Authoritarian.
>
>> [How could we hope to sort out the world of a creator like Shakespeare
>> without being assertive about our position, necessary for the leverage
>> needed to set it right about its authorship?]
>
>> 4. �Secretive.
>
>> [It's true that some at h.l.a.s. try to play with a stacked deck while
>> holding a poker hand, but the stakes are very high, after all. Anyway,
>> only a few are life-long trollers at h.l.a.s. with an agenda.
>
>> 5. �Paranoid.
>
>> [If this is about "delusions of persecution or grandeur," I can think
>> of only a few at h.l.a.s. inclined to persecute others or harbor
>> illusions of grandeur. �This is easily accepted as their notion of wit
>> or jesting. �Still, the news group is not moderated, and naive posters
>> could be used as someone's "whipping boy" or such, as therapy; but we
>> have no pecking order beyond granting center stage to a couple ranking
>> literary scholars and published authors.]
>
>> 6. �Only rarely in difficulty with the law, but seeks out situations
>> where their tyrannical behavior will be tolerated, condoned, or
>> admired.
>
>> [Not sure about this trait at h.l.a.s., since some may post from
>> within an institutional setting and seek out news groups for personal
>> satisfaction in these ways. �Little is tolerated, condoned or admired
>> at h.l.a.s. without just cause, IMO; but then, we are unmoderated.
>
>> 7. �Conventional appearance.
>
>> [As it happens, I am one of the few at h.l.a.s. who appear with masked
>> pseudonym, but doubt that superficial masks like that are a measure of
>> sociopathic stealth that hides antagonistic motives. �A mask of
>> "conventional appearance" is very complicated and tricky, IMO, and
>> probably involves layers of masks. �Do we act out our "masques" in
>> conventional ways?]
>
>> 8. �Goal of enslavement of their victim(s).
>
>> [Possibly in some ego-battle sense their can be domination of another
>> at h.l.a.s.; the cry of victory of the animal after dragging down it's
>> prey.]
>
>> 9. �Exercises despotic control over every aspect of the victim's life.
>
>> [I do see some evidence of posters at h.l.a.s. presenting themselves
>> as controllers; and equally, I see some who seem to present as
>> controlees. �But certainly this wouldn't include "every aspect" of the
>> victim's life," whatever that is.]
>
>> 10. �Has an emotional need to justify their crimes and therefore needs
>> their victim's affirmation (respect, gratitude and love).
>
>> [I do see survivors of old flame wars communicating along lines of
>> respect, if not gratitude and love.]
>
>> 11. �Ultimate goal is the creation of a willing victim.
>
>> [This repeats the above.]
>
>> 12.Incapable of real human attachment to another.
>
>> [h.l.a.s. as a substitute for getting a real life? �No, but I can see
>> how it could substitute for achievement in some ways; like, being a
>> Shakespeare, yourself.]
>
>> 13. �Unable to feel remorse or guilt.
>
>> [I wonder if this trait of sociopaths can be explained in terms of the
>> apathetic and pathetic fallacies? �One fallacy assumes a world
>> operates without feelings; the other assumes all is
>> feelings-associated. �If anything, I suppose Shakespeare may have been
>> operating on pathetic associations, not apathetic.]
>
>> 14. �Extreme narcissism and grandiosity.
>
>> [Not at h.l.a.s., I think.]
>
>> 15. �May state readily that their goal is to rule the world.
>
>> [I haven't heard this stated by anyone, at least lately.]
>
>> (The above traits are based on the psychopathy checklists of H.
>> Cleckley and R. Hare.)
>> (unquote)
>
> Interesting but doesn't jibe too well with my own idea of sociopathy--
> which is too complex to get into here. �I think the only one who is a
> sociopath or partial sociopath at HLAS is Art--because he has no
> consideration for others, not caring how much damage he does to HLAS
> with his moronic multiple posts. �Else he's genuinely psychotic and
> thinks he's doing something for Truth. �Jim, on the other hand, isn't
> a sociopath, but seems something else not all that sane: he may have a
> misguided consideration for others, and is trying to rescue HLAS from
> Art by futilely using Art's methods against him. �But I can't say I've
> figured him out, my studies at the Stratford Grammar School ending
> before I got into KQKnaveology.
>
> The rest of us may be nuts but we're not sociopaths.
>
> --Bob G.
MM:
You're not defining either one. Saints say that we have all sinned.
That means we're all sociopaths to a degree. If we have committed
sins against our neighbors, then it is anti-social behavior, which is
a definition of sociopath. This what I've been pointing out on HLAS.
Everybody is pointing fingers at others. When we're all guilty of
sinning, it is a joke. Christ tried to point this out, also, by
saying, "He who is without sin, let him cast the first stone." It is
no wonder that Dante called this world, "The Divine Comedy."
I know it's not easy to look in the mirror, but that's exactly what we
need to do.
Michael Martin