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Author: Barbara L SherrillBarbara L Sherrill Date: Feb 18, 2008 05:32
http://www.usatoday.com/life/television/news/2008-02-17-reality-hdtv_N.htm
By Mike Snider, USA TODAY
The number of homes with high-definition TVs is on the rise - and so is the
roster of game shows and reality series, thanks in part to the recently
settled Hollywood writers' strike.
But other than rare exceptions such as American Idol, few are broadcast in
high-definition, in contrast to the rest of the networks' prime-time
offerings.
Even though many reality shows would seem to benefit from high definition -
especially exotic favorites such as Survivor and The Amazing Race- producers
and networks do not see HD production as a priority. They say
high-definition cameras are more costly and less reliable. Repairs and video
storage on remote locations make HD a hazard, too.
The cameras "are not meant yet for that type of rough travel and the sheer
cost," says Jonathan Littman, executive producer of CBS' The Amazing Race
and president of Jerry Bruckheimer Television. "It's a pretty high
escalation in our budget. It's not double at the moment, but it's hundreds
of thousands of dollars for the total run."
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Author: Brian SmithBrian Smith Date: Apr 14, 2008 12:15
"Barbara L Sherrill" sbcglobal.net> wrote in message
news:ZNfuj.2057$fX7.1565@nlpi061.nbdc.sbc.com...
>
>
> http://www.usatoday.com/life/television/news/2008-02-17-reality-hdtv_N.htm
>
> By Mike Snider, USA TODAY
> The number of homes with high-definition TVs is on the rise - and so is
> the roster of game shows and reality series, thanks in part to the
> recently settled Hollywood writers' strike.
> But other than rare exceptions such as American Idol, few are broadcast in
> high-definition, in contrast to the rest of the networks' prime-time
> offerings.
>
> Even though many reality shows would seem to benefit from high
> definition - especially exotic favorites such as Survivor and The Amazing
> Race- producers and networks do not see HD production as a priority. They
> say high-definition cameras are more costly and less reliable. Repairs and
> video storage on remote locations make HD a hazard, too.
> ...
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Author: UCLANUCLAN Date: Apr 14, 2008 21:42
Brian Smith wrote:
Hell's Kitchen in HD looks fantastic.
--
Raindrops on roses and whiskers on kittens.
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Author: TrekTrek Date: Apr 30, 2008 19:31
>> High-end HD cameras can cost $120,000, but smaller ones are dropping
>> in price quickly, he says. "On a boat like that, if something goes
>> wrong with
This is ridiculous.
There are standard def cameras that cost a fortune, too.
But that level of hardware and glass is not needed for these shows.
They could shoot TAR & Survivor just fine on $20,000 HD camera's,
and use $5,000 HD cams cameras for the times when real light weight
and small size are needed. The small cams would be just fine in the
cars, other transports, running through streets and in activities.
Save the big cams for the set shots of the locales and finish lines.
AT THE VERY LEAST, they should begin shooting TAR in 16"9 widescreen,
even if still in standard def. They can letterbox on 4:3 tv's.
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Author: number6number6 Date: May 1, 2008 13:11
>>> High-end HD cameras can cost $120,000, but smaller ones are dropping
>>> in price quickly, he says. "On a boat like that, if something goes
>>> wrong with
>
> This is ridiculous.
>
> There are standard def cameras that cost a fortune, too.
> But that level of hardware and glass is not needed for these shows.
>
> They could shoot TAR & Survivor just fine on $20,000 HD camera's,
> and use $5,000 HD cams cameras for the times when real light weight
> and small size are needed. The small cams would be just fine in the
> cars, Â other transports, running through streets and in activities.
> Save the big cams for the set shots of the locales and finish lines.
I brought this up elsewhere ... but watch Deadliest Catch on
Discovery ... Filmed in HD ... in sub zero temperatures ... in 20 foot
seas ... covered in salt water and ice ... horrific conditions ...
and they worry about a tropical Island on survivor ???
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Author: TrekTrek Date: May 2, 2008 20:45
Exactly.
And that show has a fraction of the viewership of Survivor or TAR.
> I brought this up elsewhere ... but watch Deadliest Catch on
> Discovery ... Filmed in HD ... in sub zero temperatures ... in 20 foot
> seas ... covered in salt water and ice ... horrific conditions ...
> and they worry about a tropical Island on survivor ???
>
>
>> They could shoot TAR & Survivor just fine on $20,000 HD camera's,
>> and use $5,000 HD cams cameras for the times when real light weight
>> and small size are needed. The small cams would be just fine in the
>> cars,
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Author: UCLANUCLAN Date: May 2, 2008 21:41
But they get paid per subscriber, whether they watch or not. NOBODY
could watch, and they would get the same per subscriber amount as they
would if EVERYBODY watched. Actual viewership is of secondary concern
to cable channels.
Trek@ nonono.net wrote:
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Author: Barbara BaileyBarbara Bailey Date: May 2, 2008 22:13
>>> They could shoot TAR & Survivor just fine on $20,000 HD camera's,
>>> and use $5,000 HD cams cameras for the times when real light weight
>>> and small size are needed. The small cams would be just fine in the
>>> cars,
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Author: number6number6 Date: May 3, 2008 05:13
On May 2, 11:41Â pm, UCLAN thanks.org> wrote:
> But they get paid per subscriber, whether they watch or not. NOBODY
> could watch, and they would get the same per subscriber amount as they
> would if EVERYBODY watched. Actual viewership is of secondary concern
> to cable channels.
>
but still Discovery Channel's ad revenue is peanuts compared to any
network show ...
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Author: number6number6 Date: May 3, 2008 05:20
On May 3, 12:13Â am, Barbara Bailey yayhu.comm> wrote:
Top posting just to include your entire post below ...
Excellent research ... but that really only proves that the
incremental cost for TAR using HD cameras would be a small part of the
overall budget ... and that Catch using them is a significant part of
their budget ... To me even more reason TAR and Survivor should use
HD ... It would add much less than 1 %% even ...
Very hard for me to take that a cable show can afford something and a
network show can't ...
>
> But the first big difference between Deadliest Catch and TAR is that
> _Catch_ is one of (if  not THE) jewel in Discovery's crown. Neither
> Survivor not TAR holds that kind of position with CBS. Survivor...
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