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Author: ImmortalistImmortalist Date: Dec 1, 2006 10:06
The Hero with a Thousand Faces (1949) is the seminal work of
comparative mythologist Joseph Campbell. In this text Campbell
discusses his theory of the journey of the archetypal hero found in
world mythologies and religions.
Campbell's insight was that important myths from around the world which
have survived for thousands of years, all share a fundamental
structure, which Campbell called the monomyth.
This fundamental structure contains a number of stages, which include
(1) a call to adventure, which the hero has to accept or decline, (2) a
road of trials, regarding which the hero succeeds or fails, (3)
achieving the goal or "boon," which often results in important
self-knowledge, (4) a return to the ordinary world, again as to which
the hero can succeed or fail, and finally, (5) application of the boon
in which what the hero has gained can be used to improve the world.
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Author: kevirwinkevirwin Date: Dec 1, 2006 10:23
Immortalist wrote:
> The Hero with a Thousand Faces (1949) is the seminal work of
> comparative mythologist Joseph Campbell. In this text Campbell
> discusses his theory of the journey of the archetypal hero found in
> world mythologies and religions.
>
> Campbell's insight was that important myths from around the world which
> have survived for thousands of years, all share a fundamental
> structure, which Campbell called the monomyth.
>
> This fundamental structure contains a number of stages, which include
> (1) a call to adventure, which the hero has to accept or decline, (2) a
> road of trials, regarding which the hero succeeds or fails, (3)
> achieving the goal or "boon," which often results in important
> self-knowledge, (4) a return to the ordinary world, again as to which
> the hero can succeed or fail, and finally, (5) application of the boon
> in which what the hero has gained can be used to improve the world.
>
> A hero ventures forth from the
> world of common day into a region ...
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Author: extropy1extropy1 Date: Dec 1, 2006 11:04
kevirwin wrote:
> Immortalist wrote:
>> The Hero with a Thousand Faces (1949) is the seminal work of
>> comparative mythologist Joseph Campbell. In this text Campbell
>> discusses his theory of the journey of the archetypal hero found in
>> world mythologies and religions.
>>
>> This fundamental structure contains a number of stages, which include
>> (1) a call to adventure, which the hero has to accept or decline, (2) a
>> road of trials, regarding which the hero succeeds...
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Author: Stephen HarrisStephen Harris Date: Dec 1, 2006 17:56
Immortalist wrote:
> The Hero with a Thousand Faces (1949) is the seminal work of
> comparative mythologist Joseph Campbell. In this text Campbell
> discusses his theory of the journey of the archetypal hero found in
> world mythologies and religions.
>
> Campbell's insight was that important myths from around the world which
> have survived for thousands of years, all share a fundamental
> structure, which Campbell called the monomyth.
>
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Date: Dec 1, 2006 21:10
"Immortalist" yahoo.com> wrote in message
news:1164996362.443377.96770@n67g2000cwd.
> A hero ventures forth from the
> world of common day into a region
> of supernatural wonder: fabulous
> forces are there encountered and
> a decisive victory is won: the hero
> comes back from this mysterious
> adventure with the power to bestow
> boons on his fellow man.
Oh no, not *more* boons: I've got six already...
M.
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Author: TronTron Date: Dec 2, 2006 05:32
> The Hero with a Thousand Faces (1949) is the seminal work of
> comparative mythologist Joseph Campbell. ........>
> Campbell's insight was that important myths ......, all share a
> fundamental
> structure, which Campbell called the monomyth.
>
......> Ever since Star Wars writer-director George Lucas credited Joseph
> Campbell for the mythic structure of the film, .....
>
> Why does this work? Because it perfectly corresponds to the three-act
> structure:
Isn't t a bit problematic to first point out that Lucas used Campbell's
theories as a skeleton for Star Wars,
and then look at how (well) this skeleton works by "finding" it i e.g. Star
Wars?
T
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Author: ImmortalistImmortalist Date: Dec 2, 2006 11:36
Tron wrote:
>> The Hero with a Thousand Faces (1949) is the seminal work of
>> comparative mythologist Joseph Campbell. ........>
>> Campbell's insight was that important myths ......, all share a
>> fundamental
>> structure, which Campbell called the monomyth.
>>
>
> ......> Ever since Star Wars writer-director George Lucas credited Joseph
>> Campbell for the mythic structure of the film, .....
>>
>> Why does this work? Because it perfectly corresponds to the three-act
>> structure:
>
> Isn't t a bit problematic to first point out that Lucas used Campbell's ...
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Author: ImmortalistImmortalist Date: Dec 2, 2006 11:38
Mark D J. wrote:
> "Immortalist" yahoo.com> wrote in message
> news:1164996362.443377.96770@n67g2000cwd.
>> A hero ventures forth from the
>> world of common day into a region
>> of supernatural wonder: fabulous
>> forces are there encountered and
>> a decisive victory is won: the hero
>> comes back from this mysterious
>> adventure with the power to bestow
>> boons on his fellow man.
>
> Oh no, not *more* boons: I've got six already...
>
Boons for sale, blessing deal: a desirable state; "enjoy the blessings
of peace"; "a spanking breeze is a boon to sailors"
> M.
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Author: ImmortalistImmortalist Date: Dec 2, 2006 12:10
Stephen Harris wrote:
> Immortalist wrote:
>> The Hero with a Thousand Faces (1949) is the seminal work of
>> comparative mythologist Joseph Campbell. In this text Campbell
>> discusses his theory of the journey of the archetypal hero found in
>> world mythologies and religions.
>>
>> Campbell's insight was that important myths from around the world which
>> have survived for thousands of years, all share a fundamental
>> structure, which Campbell called the monomyth.
>>
>
>> THE SHORT FORM OF THE HERO STORY:
>>
>> The hero is introduced in his ordinary world, where he receives the
>> call to adventure. He is reluctant at first but is encouraged by
>> the wise old man or woman to cross the first threshold, where he
>> encounters tests and helpers. He reaches the innermost cave, where
>> he endures the supreme ordeal. He seizes the sword or the treasure
>> and is pursued on the road back to his world. He is resurrected and ...
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