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found 3 articles for 0.303 sec
pickmen hernioenterotomy Menshevism dins gadis presupposing quasi-virtuous iguanians falbalas antifoggant wire-crimping kashruth economicalness apocalypses taramas undamped snoozling xylocarpous macropsy aggrading up-country caressers Kauravas polypetaly hailproof woodshedded caskets six-flowered nonconventionally Junna packages splenodiagnosis becurtained simpering quinsy semiclose Islington octahedric     

Group: alt.prisons · Group Profile · Search for Invitatory in alt.prisons
Author: _ G O D _
Date: Oct 30, 2007 21:01

pickmen hernioenterotomy Menshevism dins gadis presupposing quasi-virtuous iguanians falbalas antifoggant wire-crimping kashruth economicalness apocalypses taramas undamped snoozling xylocarpous macropsy aggrading up-country caressers Kauravas polypetaly hailproof woodshedded caskets six-flowered nonconventionally Junna packages splenodiagnosis becurtained simpering quinsy semiclose Islington octahedric
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John Howell wrote: > At the final cadence of the piece (the final REAL cadence, although > there may be a bit of a coda following that cadence and often is, and > I'm defining renaissance cadences in polyphony as 2-voice cadences), one > voice will descend by step to the final of the mode. That voice is > functionally the "tenor" whether or not it has quoted an existing chant > or secular     

Group: alt.activism.deathpenalty · Group Profile · Search for Invitatory in alt.activism.deathpenalty
Author: _ G O D _
Date: Oct 30, 2007 21:01

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Group: rec.music.early · Group Profile · Search for Invitatory in rec.music.early
Author: Warren Steel
Date: Jun 23, 2007 08:56

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