Hamlet's speech modes resist imaginative verbal sharing. ********************************** (The) comedies' location of androgynous synergy in the unstable medium of dialectical exchange imparts a contrary valence to static speech modes that resist imaginative verbal sharing. Shakespearean comedy, in fact, demonstrates and mocks the misogynistic, androgyny- resistant psychic positions

Grace Tiffany, Erotic Beasts and Social Monsters Jonson's presentation of theatrical imitation itself as both bestial (APISH) and feminine follows logically from (the) construction of masculinity and femininity as legitimate enactment and false imitation. Since the active exercise of intrinsic virtue is what men do, the theatrical imitatin of active virtue is what women do. (As the verse

Grace Tiffany, Erotic Beasts and Social Monsters Ch. 3. Jonson, Satire, and the Empty Hermaphrodite In Ben Jonson's satire we find the most fully realized and philosophically justified representation of the Renaissance anti- androgynous ethic, a principle derived from and supported by a combined tradition of Semonidean and Juvenalian disgust, Aristophanic ridicule, scholastic isolationism

On Aug 11, 11:33 am, Art Neuendorffer <aneuendorffer114...@comcast.net> wrote: Art Neuendorffer: . Nineteen of the First Folio plays had not been published. 17 had been published (as had Pericles.NOT in FF). The Two Noble Kinsmen was yet to be published. . Ergo: . 20 of the plays had never been printed before 1623. . 19 of

------------------------------------------------------- Cato The Elder: After I'm dead I'd rather have people . ask why I have no *MONUMENT* than why I have one. . Horace: I have built a *MONUMENT* more lasting than bronze. . Sir Christopher Wren: Si *MONUMENT* requiris circumspice . [If you *SEEK his MONUMENT* , look around you.] . Washington Irving: [Man's] history is as a tale that