<death.ferret69@googlemail.com> wrote in message news:ee4e179b-fef5-4ce6-bc8e-bfc81958c6e3@m34g2000hsc.googlegroups.com... On Mar 20, 1:18 pm, "George Weston" <geowes...@NOSPAMgooglemail.com> wrote: <death.ferre...@googlemail.com> wrote in message news:82c909fc-eb46-49cb-bb9a-2a764da297c1@u72g2000hsf.googlegroups.com... On Mar 19, 10:18 pm, nog <m...@privacy

"Alt.Drugs.Hard" <doneganm001@hawaii.rr.com> wrote in message news:470bf101$1$11066$4c368faf@roadrunner.com... <Ritual> wrote in message news:9tong3153qgtt4gki74me58qmlbcnmrr2m@4ax.com... On Tue, 9 Oct 2007 03:27:52 -1000, "Alt.Drugs.Hard" <doneganm001@hawaii.rr.com> wrote: <Ritual> wrote in message news:bihlg3h9o3vrpl5tj531euen3mbqad82kl@4ax.com... On

On May 16, 10:41 am, David Raleigh Arnold <d...@openguitar.com> wrote: a71garcia wrote: Hi all, I was hoping someone out there might have a suggestion for how to develop a practice routine, which will effectively lead to the ability to modulate from key to key at will. I would like to be able to switch to close keys as well as more distant ones, depending upon the effect

On Fri, 29 Sep 2006 13:24:35 +0100, David Webber wrote: "David Raleigh Arnold" <darnold4@cox.net> wrote in message news:pan.2006.09.29.10.26.56.13180@cox.net... Chord names are a real minefield. Don't I know it. In a simple rock tune, you might use C4 as a shortcut for the Csus4, I refuse to recognise C4 - Csus4 or Csus are fine. while in a jazz tune

"David Raleigh Arnold" <darnold4@cox.net> wrote in message news:pan.2006.09.29.10.26.56.13180@cox.net... Chord names are a real minefield. Don't I know it. In a simple rock tune, you might use C4 as a shortcut for the Csus4, I refuse to recognise C4 - Csus4 or Csus are fine. while in a jazz tune, C11 might be more appropriate for the same or a similar chord. Csus4 replaces